Items where Subject is "Fine Art"

A

Anyan, J. (2004). Hats and gloves. [Show/Exhibition]

Anyan, J. (2007). North and south. [Show/Exhibition]

Anyan, Jennifer. (2009). Eroding the otherness. /seconds, March 2009 (10),

Anyan, Jennifer. (2012). Embodied Memories. [Show/Exhibition]

Arrighi, Mauro. (2018). Reality Bonsai : Animism and science-fiction as a blueprint for media art in contemporary Japan. Masters thesis, Solent University.

B

Bek, Lynda. (2010). Cultural constructions of the Isle of Wight: perception, creation and consumption: Identifying factors which specifically contributed towards cultural constructions of the Isle of Wight with specific reference to the period 1750-1900. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Bentkowska-Kafel, Anna. (1998). A computer-aided iconological analysis of anthropomorphic landscapes in western art 1560s-1660s. PhD thesis, Southampton Solent University [validated by Nottingham Trent University].

Bevan, Donna. Bevan, B. (2015) ‘You don’t mean a thing if you ain’t got no bling: considering a place for the material culture of jewellery in the museum space’, international conference Fashion Tales 2015, Universita’ Cattolica del Sacro Cuore, Milan, Italy. In: Fashion Tales 2015, June 2015, Universita’ Cattolica del Sacro Cuore, Milan, Italy. (Unpublished)

Bowers, Graham. (2007). Napoleonica. [Final Year Project]

Buck, J. (2005). Odd birds and other selves. [Show/Exhibition]

Buck, J. (2007). Ship to shore. [Artefact]

Buck, J. (2002). Sterling stuff. [Show/Exhibition]

Buck, J. (2002). Thinking big: concepts for twenty first century British sculpture. [Show/Exhibition]

Bull, Harry. (2007). Whitefriars, Geoffrey Baxter and Baxter's 1960s textured vases. (History, design, manufacture, popularity and market). [Final Year Project]

C

Caffrey, Paul. (1995). Irish portrait miniatures c. 1700-1830. PhD thesis, Southampton Solent University (validated by Nottingham Trent University).

Chaney, Edward. (2009). That sinking feeling. The Jackdaw, 2009, Summer,

Chaney, Edward. (2009). Titanic error threatens to sink city art gallery. Friends of Southampton's Museums, Archives and Galleries Newsletter, 2009 (65), pp. 5-8

Chaney, Edward. (2009). William Rose. The Jackdaw, September 2009,

Chaney, Edward. (2009). William Rose: tradition and an individual talent. Other. Gallery LeFort Fine Art, Bath.

Chaney, Edward. (2010). The collector Earl of Arundel and the Obelisk of Domitian. In: The collector Earl of Arundel and the Obelisk of Domitian, 10 Feb 2010, London.

Chaney, Edward and Wilks, Timothy. (2013). The Jacobean Grand Tour: Early Stuart Travellers in Europe. I.B. Tauris, London.

Cooper, Orlanda. (2007). The marketing strategies of Joseph Johnstone Ltd; 1930-1960. [Final Year Project]

Coulter-Smith, Graham. (2009). Deconstructing installation art: deconstruyendo las instalaciones. Brumaria, Madrid, Spain. ISBN 978-8461293476

Coulter-Smith, Graham. Evolutionary aesthetics: rethinking the role of function in art and design. Technoetic arts: a journal of speculative research, 8 (1), pp. 85-91

Coulter-Smith, Graham. (2009). Imaging the unspeakable: reflections on art in the age of terrorism. In: Iconoclasm - Iconolatry. Brumaria Publications. ISBN 978846130423

Crichton, Shaun. (2007). The evolution of the auction house since 1970. [Final Year Project]

D

Drake, Kristianne. The Photobook Show E. Project Report. None. (Unpublished)

F

Foster, Timothy Charles. (1997). A study of the market valuation of antique Chinese ceramics. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Foster, Nicola. (2011). Beuys through Heidegger. In: Beuysian Legacies in Ireland and Beyond: Art and Politics. Lit verlag, Munster Germany, pp. 49-64. ISBN 9783825807610

Foster, Nicola. Chaper: Dessiner l’écriture : construction d’un héritage artistique féminin à travers la commémoration de “l’écriture des femmes” nüshu dans l’œuvre de Lo Yuen-yi In Book title: Passages entre écritures et images dans le monde chinois moderne. In: Passages entre écritures et images dans le monde chinois moderne. TBC, Paris France. (In Press)

Foster, Nicola. (2016). 'Chineseness': The work of Lo Yuen-yi in memory of the women of Nushu. Journal of Contemporary Chinese Art, 1 December 2016, 3 (1&2), pp. 131-152

Foster, Nicola. (2010). Niki de Saint Phalle's Hon: An ethics through the visual? In: Art, History and the Senses: 1830 to the Present. Ashgate, Farnham UK; Burlington USA, pp. 131-146. ISBN 9780754668633

Foster, Nicola. (2008). Photography and the gaze: The ethics of vision Inverted. Parallax, April 2008,

Foster, Nicola. (2019). The art market and politics: The case of the Sigg collection. Journal for Art Market Studies, 4 May 2019, 3 (1),

Foster, Nicola. The gift: Uli Sigg and the emerging chinese contemporary art canon. In: Orient Extrême : regards croisés sur les collections modernes et contemporaines, (Far East: Crossed Views on Modern and Contemporary Collections). TBC. (In Press)

Fysh, Hannah. (2007). How Finland used organic modernism to assert its national identity in the 20th Century. [Final Year Project]

G

Greenway, Peter Christian. (2007). Museums' acquisitions and disposals. [Final Year Project]

Greenwood, Sarah Jane. (2007). Contemporary photography: is it art or pornography? [Final Year Project]

H

Hand, Sarah. Hand, S. (2015) ‘Using digital technologies to investigate the response of material colour and surface in a 'live' performance environment’, international conference Critical Costume 2015, Aalto University, Helsinki, Finland. In: Critical Costume 2015, March-April 2015, Aalto Univeristy, Finland. (Unpublished)

Hand, Sarah and Owen, Maurice and Richards, Russell. (2010). 'The 11 Tapestry' An Installation and Performance by KikiT VisuoSonic in Gallery 94 of the Victoria & Albert Museum as part of the London Design Festival 2010. [Show/Exhibition]

Hannah, Jonny. (2009). Notes from McVouty. [Show/Exhibition]

Hannah, Jonny. (2010). A bed of sea & dead men's suits. [Show/Exhibition]

Hannah, Jonny. (2010). An illuminating exhibition of new work from the legendary Jonny Hannah. [Show/Exhibition]

Heightley, John. (2007). The books of Sir Winston Spencer Churchill. [Final Year Project]

Heriz-Smith, D. (2007). Cigarette cards of the Third Reich. [Final Year Project]

Hill, Robert William. (1999). Works of art as commodities. PhD thesis, Southampton Solent University [validated by Nottingham Trent University].

I

Isabella, Mendes. (2007). The market for Anglo-Indian furniture. [Final Year Project]

J

Jandrell, Mandy. Totale Erinnerung, 3rd Fotofestival Mannheim, Alter Messplatz, Mannheim, Germany. Curated by vvork.com. [Show/Exhibition]

Jandrell, Mandy and Hug, Alfons and Junge, Peter and König, Viola. (2008). 'The Tropics. Views from the middle of the globe' at The South African National Gallery. [Show/Exhibition]

Jones, R. (2001). The empire of things: furniture of nineteenth century Ceylon (Sri Lanka) and the production of British culture. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Jones, Robin. Continuity and creative adaptation in the decorative and fine arts of nineteenth century Ceylon. In: European Association of South Asian Archaeology and Art Conference, July 2010, University of Vienna, Austria.

Jones, Robin. Memory, modernity and tradition: the landscapes of Geoffrey Bawa in Sri Lanka, 1948-1998. In: British Association of South Asian Studies Conference, March 2010, University of Warwick.

Jones, Robin. Nineteenth century furniture from Ceylon: approaches to research and sources. In: Symposium of Recent Research into the Cultural History of Sri Lanka, Ancient Iran and India Trust, May 2010, Cambridge.

K

Konczak, Julian. 25 (Digital Landscapes). Hidrazone.

Konczak, Julian and Coulter-Smith, Graham and Power, Lisa and Mair, Carolyn and Buckley, Martin. (2010). J9 Catalogue. Documentation. Hidrazone, Southampton.

Konczak, Julian. The Interactive Forest. [Show/Exhibition]

Konczak, Julian and Parrika, Jussi and Menkman, Rosa and Coulter-Smith, Graham. (2011). Telenesia Catalogue. Documentation. Hidrazone, Southampton.

L

Li, Shen. (2019). Chinese landscape painting and the horizon in the context of visual creative practice. Masters thesis, Solent University.

Lloyd, P. (2005). Contemporary British printmaking. [Show/Exhibition]

Lloyd, P. (2001). Heavyweights. [Show/Exhibition]

Lloyd, P. (2006). Hybridity, identity and the self. [Show/Exhibition]

Lloyd, P. (2002). Vernacular inscription. [Show/Exhibition]

Loscialpo, Flavia. Drawing and the Body, KG52 Gallery, Stockholm, Sweden. [Show/Exhibition]

Loscialpo, Flavia. Flight: Drawing interpretations, National Gallery London. Website: http://flightdrawinginterpretations.com/. [Show/Exhibition]

Loscialpo, Flavia. (2016). ‘In between materiality and immateriality: fashion in the digital age’, and 'Fashion curation in the digital age'. In: Costume Lectures series, Spring 2016. , 13 April 2016., Aalto University, Department of Film, TV and Scenography at the School of Arts, Design and Architecture, Helsinki. (Unpublished)

M

M'Kenzie-Hall, James. (2011). Illustrated travel: steel engravings and their use in early 19th century topographical books, with special reference to Henry Fisher & Co.. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Mainwaring, Michelle. (2007). An investigation into collaboration between the British film industry, museum and heritage groups: presented as a case study of 'Pride and Prejudice'. [Final Year Project]

Malcolmson, David. (2007). The Scottishness of Scottish art up to the 19th century. [Final Year Project]

Mansfield, A. (2005). Andrew Mansfield: recent paintings. [Show/Exhibition]

Mansfield, A. (2005). Appearance. [Show/Exhibition]

Mansfield, A. (2006). Collectif Anglais ArtResearch. [Show/Exhibition]

Mansfield, A. (2006). Neue Bilder. [Show/Exhibition]

McCann, David. (2006). Sir John Rothstein and the advocacy of British art between the wars. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Moreton, Guy. Photography and memory: the search for a place to think in the writing of Ludwig Wittgenstein and WG Sebald. In: Inside the Island Contemporary Art Exhibition and Symposium, 7-9 May 2010, Croatia.

Moreton, Guy. (2012). From Elterwater to Eidsvatnet: All paths lead to water. In: Water: Image, 4th-6th July 2012, Plymouth University. (Unpublished)

Moreton, Guy. Guy Moreton – Unrecounted. [Show/Exhibition]

Moreton, Guy. Kome Til Deg i Tidende. [Artefact]

Moreton, Guy. (2014). Sustaining an out-of-placeness: some remarks on landscape, literature and photography. In: Of the Earth: Art, Photography, Writing and the Environment, 24-25th October 2014, Plymouth University. (Unpublished)

Moreton, Guy. (2014). Technology in ruins: Film, photography and the materiality of image. In: Expanded Photographies, 25–26th October 2012, Southampton Solent University. (Submitted)

Moreton, Guy. (2005). There where you are not. [Show/Exhibition]

Moreton, Guy. Thinking through landscape: The retreat as a creative condition. In: Art & Design Research Institute: Research Seminar, 5th December 2013, Middlesex University. (Unpublished)

Moreton, Guy. Wall to Wall. [Show/Exhibition]

Moreton, Guy. (2007). Waterlog. [Show/Exhibition]

Moreton, Guy. (2006). A beautiful south. [Show/Exhibition]

Moreton, Guy and Finlay, Alec and Nedo, Michael. (2005). Ludwig Wittgenstein: there where you are not. Black Dog Publishing, London. ISBN 1-904772-16-1

N

Nimarkoh, Virginia and Jandrell, Mandy Lee and Gill, Simryn and Spero, David and Iles, Anthony and Soper, Kate and Wood, John. (2011). Edge of a Dream: Utopia, Landscape and Contemporary Photography. In: Edge of a Dream: Utopia, Landscape and Contemporary Photography. Affram Books, London. ISBN 9 780956 646005

Norris-Reeves, Suzie. (2012). Organza Dress (a work in progress). [Show/Exhibition]

O

Owen, Maurice. (2005). Art in the age of terrorism. Paul Holberton and Southampton Solent University (CREADM formally CASIAD), London. ISBN 1 903470 41 2

Owen, Maurice. (2010). The False-Door: dissolution and becoming in Roman wall-painting. UNSPECIFIED. CREADM (formally CASIAD) on-line publication.

Owen, Maurice. The affective enhancement of art and design museum artefacts using interactive digital animation. In: 3rd International Conference on the Inclusive Museum, 29 June - 2 July 2010, Yildiz University, Istanbul.

Owen, Maurice and Batter, Nicolas and Richards, Russell. (2007). KikiT VisuoSonics Performances. [Performance]

Owen, Maurice and Richards, Russell. (2011). “Meshwork” music derived linear animation for Trampoline digital arts network: “Attention Structure”. [Video]

P

Parker, Roland. (2007). Furniture restoration and its impact on price. [Final Year Project]

Parry, Bryn. (2012). Contribution to Historic Environment Record - regarding the Charles Melly Memorial Fountain. Southampton City Council, Southampton. (Unpublished)

Parry, Bryn. (2007). book review: Corsane, G. (2005) “Heritage, Museums and Galleries: an introductory Reader”, London, Routledge, in. Journal of Heritage Tourism, 2007, Vol.2 (No.2), pp. 126-128

Pereda, Javier. Mask Spinner. [Artefact]

Purcell, Stuart. (2007). The Irish art boom 1985 - 2005. [Final Year Project]

R

Reynolds, Alex. (2017). From crowdsourcing to the commons: Towards critical and meaningful digital collaboration in museums. International Journal of the Inclusive Museum, 2017, 10 (2), pp. 49-68

Richards, Russell. (2012). 'AI_AT', digital artwork for the 'Digital Design Challenge' as part of the London Design Festival 2012. [Show/Exhibition]

Richards, Russell. (2012). Meshwork” music derived linear animation for Trampoline digital arts network: “Attention Structure - Public Screens - Norway - 2012. [Video]

Richards, Russell. (2012). 'Nebula' - A Chapter for 'Engaging the Heavens: Inspiration of Astronomical Phenomena V' 2012. In: Engaging the Heavens: Inspiration of Astronomical Phenomena. Astronomical Society of the Pacific Conference Series, Chicago, Illinois, USA, pp. 43-48. ISBN 978-1-58381-818-3

Roberts, Toby. (2007). Silverware designed for children. [Final Year Project]

S

Schechner, Alan. Artistic responses to the Holocaust in contemporary society. In: Aesthetics, Art and Politics Conference, University of Helsinki, Finland.

Scott, CJG. (2005). The history and market of British military swords. [Final Year Project]

Shone, Anton and Parry, Bryn. (2013). "Successful Event Management:a practical handbook. 4th edition". Cengage Learning, Andover.

Slevin, Tom. (2013). Sonia Delaunay’s Robe Simultanée: Modernity, Fashion and Transmediality. Fashion Theory: The Journal of Dress, Body, and Culture, March 2013, 17 (1), (In Press)

Slevin, Tom. (2008). The Wound and the First World War: ‘Cartesian’ Surgeries to Embodied Being in Psychoanalysis, Electrification and Skin Grafting. Body and Society, June 2008, 14 (2), pp. 39-61

Slevin, Tom. (2011). ”The catastrophe of my existence”: Facing Death in Roger de la Fresnaye’s Self-Portraiture. Angelaki: Journal of Theoretical Humanities, May 2011, 16 (1), pp. 181-198

Slevin, Tom. (2018). Mind-Body-Technology: ‘Nosce te Ipsum’ and a theory of prosthetic ‘trialism’. In: Anthology - Anatomical Theatre. Utten Tittel, Oslo, pp. 26-41. ISBN ISBN 978-82-93502-20-3

Slevin, Tom. (2018). Vision, revelation, violence: technology and expanded perception within photographic history. Philosophy of Photography, April 2018, 9 (1), pp. 53-70

Stensel, James. (2007). Changes in contemporary art and the consumer culture. [Final Year Project]

Syed, A. (2006). Eating grass 16mm film (21min). [Show/Exhibition]

Syed, A. (2003). Films by Alia Syed. [Show/Exhibition]

Syed, A. (2002). Jigar. [Show/Exhibition]

Syed, A. (2006). A story told. [Show/Exhibition]

T

Taylor, Brandon. (2009). Aleksander Rodchenko's lines of force. Tate Papers, 2009, 12,

Taylor, Brandon. (2009). Lamm's way. In: Leonid Lamm: from utopia to virtuality. Palace Editions. ISBN 3940761354

Taylor, Brandon. New and Recent Publications by Brandon Taylor. Recent Publications, (Unpublished)

Taylor, Lesley A. (2012). The Deconstructed Garment As Basis or Organising The Performance Of A Curated Space: How Can A Cross-Disciplinary Approach Shape The Formation Of Interior Space? In: IE INTERNATIONAL CONFERENCE 2012 Reinventing Architecture and Interiors: the past, the present and the future, 30-31 March 2012, Ravensbourne, London. (Unpublished)

Thomas, Maxwell. (2007). John Bratby RA: study of his life and work. [Final Year Project]

Thomson, J. (2006). Disney Meets DNA, drawings, paintings and sculpture. [Show/Exhibition]

Thomson, J. (2003). Drawings, daydreams and designs. [Show/Exhibition]

Thomson, J. (2004). River circle. [Artefact]

Thomson, J. (2007). Say it with flowers. [Show/Exhibition]

W

Wardleworth, Dennis. (2002). Building the modern corporation: corporate art patronage in interwar Britain. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Weir, Louise. Location drawing Shorne Shore. [Image] (Unpublished)

Weir, Louise. Location drawing Shorne Shore 2. [Image] (Unpublished)

Weir, Louise. Marsh Home. [Image] (In Press)

Weir, Louise. Miss Haversham. [Image] (Unpublished)

Weir, Louise. On The Marshes. [Image] (Unpublished)

Weir, Louise. On The Marshes 2. [Image] (Unpublished)

Wilks, Tim. (2016). Archbishop Robinson's collection of gem impressions, Armagh Public Library. Condition report and cleaning trial. In: Research project with Armagh Public Library, 2015-2016, Armagh, Northern Ireland. (Unpublished)

Wilks, Tim. (2016). Report on Archbishop Robinson's collection of gem impressions, Armagh Public Library. In: Research project with Armagh Public Library, 2015-2016, Armagh, Northern Ireland. (Unpublished)

Wilson, David. (2008). Furniture and furniture-making in Gloucestershire, 1600-1730: an analysis of a regional and vernacular tradition. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Wooldridge, Hayley. (2007). The influences on the architecture and interiors of Osborne House, Isle of Wight. [Final Year Project]

Z

Zaveri, Rhythm. (2007). Indian erotica: the art, the devotion, the passion. [Final Year Project]