Items where Subject is "Film and Television"

Harding, Alan James. (2017). Evaluating the importance of the Crown Film Unit, 1940 – 1952. PhD thesis, Southampton Solent University.

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Albiez, Sean. (2012). A Man Cuts Down a Tree and it has Consequences [film soundtrack]. [Video]

Albiez, Sean. (2012). obe:lus - Fenamoto [film soundtrack]. [Composition]

Albiez, Sean. (2011). obe:lus - Landslide [film soundtrack]. [Composition]

Arrighi, Mauro. (2018). Reality Bonsai : Animism and science-fiction as a blueprint for media art in contemporary Japan. Masters thesis, Solent University.

Atakav, Atil. (2009). The representation of women in Turkish cinema in the 1980s. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

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Baker, Clive and Parry, Bryn. (2009). “Navigating Old & New Worlds: military museum experiences in both the physical world and cyberspace”. In: Tourist Experiences: meaning, motivations, behaviours conference, 1st-4th April 2009, University of Central Lancashire, Preston.

Baker, Clive and Parry, Bryn. (2016). Commemorating and communicating contested narratives in a digital era - lessons from Dark Tourism. In: Business and Society Research & Innovation Hub workshop, Southampton Solent University.

Birkenstein, Jeff and Froula, Anna and Randell, Karen. (2010). Re-framing 9/11: film, popular culture and "the war on terror". Continuum Press. ISBN 9781441119056

Boulton, Katie. (2010). Defining the contemporary costume drama. [Final Year Project]

Bradley, Peri. Hideous sexy: the eroticised body and deformity in 1970s British horror films. In: Don't look now: British cinema in the 1970s. Intellect.

Bradley, Peri. You are awful...but I like you! The politics of camp in 1970s television. In: British culture and society in the 1970s: the lost decade. Cambridge Scholars Publishing.

Bradley, Peri. (2010). The good, the bad and the healthy: the transforming body and narratives of health and beauty in reality tv. Hummingbird: Faculty of law, arts and social sciences doctoral research journal, April 2010, 1,

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Cain, Sandra. (2009). It's as real as it gets: "they shoot movies don't they?...the Making of Mirage". Post Script - Essays in Film and the Humanities, 2009, 28 (6), pp. 9-13

Collyer, Paddy. (2003). An examination of the development of the British Board of Film Censors seen through the archives of three local authorities from 1912 until 1982 and of British Board of Film Classification with a particular focus on 'The last temptation of Christ';'Natural born killers'; and 'Crash'(2 volumes). PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Comiskey, Adam. (2010). Hey Negrita's Burn the whole place down. [Video]

Comiskey, Adam. (2009). Hey Negrita's Nine to five. [Video]

Comiskey, Adam. (2009). Hey Negrita's One Mississippi. [Video]

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Domaratskaya, Elena. (2006). Moving image 'before' and 'after' cinema :1920s Parisian experimental films and video installations. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

de Valk, Mark. The cinema as scaffold: re-inscribing the tortured body. In: Acanca International Conference Cinema – Art, Technology, Communication, July 2010, Portugal.

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Ellesmore, Susan. (2002). Teacher representations in popular films: reception and relevance to professional development and change. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

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Fathallah, Judith. Changing relations between fan cultures and industry: The legitimation paradox. In: International Conference on Cross-culture Approach in Humanities, Management and Social Sciences, May 18-19 2019, London, United Kingdom . (Submitted)

Fathallah, Judith. (2016). ‘Except that Joss Whedon is God’: fannish attitudes to statements of author/ity. International Journal of Cultural Studies, 2016, 19 (4), pp. 459-76

Fathallah, Judith. (2016). Masculinities constructed and deconstructed: Game of Thrones. In: London Film and Media 2014.

Fathallah, Judith. (2015). Moriarty’s ghost: Or the queer disruption of the BBC’s Sherlock. Television & New Media, 2015, 16 (5), pp. 490-500

Fathallah, Judith. (2018). Reading RPF as digital fiction: An argument for new perspectives. Convergence: The International Journal of Research into New Media Technologies, 2018, 24 (6), pp. 568-586

Fathallah, Judith. (2016). Statements and silence: fanfic paratexts for ASOIAF/Game of Thrones. Continuum: Journal of Media & Cultural Studies, 2016, 30 (1), pp. 75-88

Fathallah, Judith. (2015). Won't somebody please think of the children? Or, South Park fanfic and the political realm. Journal of Youth Studies, 2015, 18 (10), pp. 1309-1325

Furby, Jacqueline. (2001). Control Dramas and Play Time: Time travel movies and the temporal fantasist. In: Glasgow Screen Conference, July 2001, Glasgow. (Unpublished)

Furby, Jacqueline. (2007). Interesting times: The Demands 24's Real-Time Format Makes on its Audience. In: Reading 24: TV Against the Clock. I.B Tauris, London, pp. 59-70. ISBN 978 1 84511 329 2

Furby, Jacqueline. (2005). Rhizomatic Time and Temporal Poetics in American Beauty. In: Screen Methods: Comparative Readings in Film Studies. Wallflower Press, London.

Furby, Jacqueline and Hines, Claire. (2009). ‘All the Better to Eat You With’: Feminist Fairytales and Misogynist Myths in Mitchell Lichtenstein’s Teeth (2007)’. In: The Fairy Tale After Angela Carter, April 2009, UEA. (Unpublished)

Furby, Jacqueline and Hines, Claire. (2011). Fantasy (Routledge Film Guidebook). Other. Routledge, London. (Submitted)

Furby, Jacqueline and Randell, Karen. (2005). Screen Methods: Comparative Readings in Film Studies. Wallflower Press, London. ISBN 978-1-904764-35-9

Furby, Jacqueline. (2006). Rhizomatic Time and Temporal Poetics in American Beauty. Film Studies, 2006, Winter (Issue ),

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Hair, Carolyn Houston. (2003). The conversationalization of television talk in the mediated public sphere: an analysis of the British audience participation talk show and the docu-soap (2 vols). PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Hammond, Michael. (2001). The big show: cinema exhibition and reception in Britain in the Great War. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Hardman, Liam. (2014). Cops and robbers: masculinities in the contemporary heist film. [Final Year Project]

Harnett, Katherine. (2014). The representation of femininity as abject within fantasy film. [Final Year Project]

Hawtin, Laura. (2014). The torturer versus the tortured: exploring the implications of gender representations in contemporary 'torture porn'. [Final Year Project]

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Kamau, Caroline. On Erich Fromm: Why he left the Frankfurt School. In: The Frankfurt School Revisited: Essays on Culture, Media and Theory. Ashgate. (In Press)

Kerr, Darren. Truth, lies and videotape: tortured confessions of the body in Takashi Miike's imprint. In: Cine Excess IV Conference "Corporeal excess, cult bodies", 29 April - 1 May 2010, Covent Garden, London.

Konczak, Julian and Coulter-Smith, Graham and Power, Lisa and Mair, Carolyn and Buckley, Martin. (2010). J9 Catalogue. Documentation. Hidrazone, Southampton.

Konczak, Julian. (2017). Immersive video environments: Investigating the impact of “wraparound” media. In: R&I Conference 2017:, 3 May 2017, Southampton Solent University. (Unpublished)

Konczak, Julian. The Interactive Forest. [Show/Exhibition]

Konczak, Julian and Parrika, Jussi and Menkman, Rosa and Coulter-Smith, Graham. (2011). Telenesia Catalogue. Documentation. Hidrazone, Southampton.

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Lees, Craig. (2015). Video tutorial for staff and students: FS700 high speed videography. [Video] (Unpublished)

Lilley, Michelle. (2009). Uncanny women in Jane Campion films. [Final Year Project]

Loscialpo, Flavia. (2016). ‘In between materiality and immateriality: fashion in the digital age’, and 'Fashion curation in the digital age'. In: Costume Lectures series, Spring 2016. , 13 April 2016., Aalto University, Department of Film, TV and Scenography at the School of Arts, Design and Architecture, Helsinki. (Unpublished)

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Mackinnon, Lee. (2010). Unidentified. [Video]

Middleton, Jordan Christine. (2014). The female body in the films of David Cronenberg. [Final Year Project]

Moon, Tony. (2009). I often dream of trains. [Video]

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Owen, Maurice and Richards, Russell. (2011). “Meshwork” music derived linear animation for Trampoline digital arts network: “Attention Structure”. [Video]

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Parry, Bryn. (2007). book review: Highmore, B. (2005) “Cityscapes: cultural readings in the material and symbolic city”, Basingstoke, Palgrave Macmillan, in. Journal of Tourism and Cultural Change, 2007, Vol.5 (No.2), pp. 130-131

Parry, Bryn. (2017). BRIXMIS Story: Guest lectures, multimedia and research-informed-teaching-informed-research. In: Solent Learning and Teaching Community Conference 2017, 23rd June 2017, Southampton Solent University.

Parry, Bryn. (2007). “Balderdash & Piffle: series two”, BBC/Takeaway Media /. Oxford University Press, Oxford.

Parry, Bryn. (2017). Virtual & Augmented Reality: but not as you know it ? In: VentureFest South - Pecha Kucha, 9th March 2017, Winchester Guildhall.

Parry, Bryn and Baker, Clive and Valent, Ilona. (2011). Cenotaph - Augmented Reality video. [Video]

Parry, Bryn and Baker, Clive and Valent, Ilona. (2011). Civic Centre - Augmented Reality video. [Video]

Parry, Bryn and Baker, Clive and Valent, Ilona. (2011). National Rose Trial beds - Augmented Reality video. [Video]

Parry, Bryn and Baker, Clive and Valent, Ilona. (2011). Titanic Engineers Memorial - Augmented Reality video. [Video]

Parry, Bryn and Baker, Clive and Valent, Ilona and Mckichan, Fiona. (2011). RefWorks - Augmented Reality video. [Video]

Parry, Bryn and Baker, Clive and Valent, Ilona and Mckichan, Fiona and Hudson, Mary and Williams, Alison. (2011). Information Librarian - Augmented Reality video. [Video]

Parry, Bryn and Baker, Clive and Valent, Ilona and Mckichan, Fiona and Hudson, Mary and Williams, Alison. (2011). Solent Life Campus - Augmented Reality video. [Video]

Peberdy, Donna. (2012). "Acting and Performance in Film Noir". In: A Companion to Film Noir. Blackwell, Malden, MA. (In Press)

Peberdy, Donna. (2011). "Billy Bob Thornton" and "James Earl Jones". In: The Encyclopedia of Southern Culture: Media. The University of North Carolina Press, Chapel Hill, NC, pp. 285-366. ISBN 978-0-8078-7143-0

Peberdy, Donna. (2010). From Wimps to Wild Men: Bipolar Masculinity and the Paradoxical Performances of Tom Cruise. Men and Masculinities, December 2010, 13 (2), pp. 231-254

Peberdy, Donna. (2012). Male Sounds and Speech Affectations: Voicing Masculinity. In: Film Dialogue. Wallflower Press, London. (In Press)

Peberdy, Donna. (2012). "Politics is Theatre": Performance, Sexuality and Milk. In: Millennial Masculinity. Wayne State University Press, Detriot, MI. (In Press)

Peberdy, Donna. You commie, homo-loving sons of guns. In: Performance, Sexuality, Hollywood and Milk; SCMS, March 2010, Los Angeles.

Peberdy, Donna. (2012). "I'm just a character in your film" Acting and Performance from Autism to Zissou. The New Review of Film and Television Studies, March 2012, 10 (1), (In Press)

Peberdy, Donna. (2011). Masculinity and Film Performance: Male Angst in Contemporary American Society. Palgrave Macmillan, Basingstoke. ISBN 9780230283787

Pereda, Javier. Mask Spinner. [Artefact]

Pettigrew Collins, Serena. (2003). How Does Bollywood Cinema Compare to Hollywood Cinema, in terms of Content, Style and Industry? [Final Year Project]

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Randell, Karen. Masculinity and trauma in the Iraq war movie. In: SCMS Annual Conference, March 2010, Los Angeles.

Randell, Karen. Uncovering the truth: notions of the real in Brian de Palma's "Redacted". In: PCA/ACA National Conference, April 2010, St. Louis, USA.

Richards, Russell. (2012). Meshwork” music derived linear animation for Trampoline digital arts network: “Attention Structure - Public Screens - Norway - 2012. [Video]

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Schutte, Barend-Christiaan. (2005). Images of a new German identity: the portrayal of the unification process in documentary and feature films since 1990. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Shone, Anton and Parry, Bryn. (2013). Downloadable cases and online interactive material, supporting Shone, A. and Parry, B., (2013), “Successful Event Management: a practical handbook”, 4th Ed., Andover, Cengage Learning. Cengage Learning. (In Press)

Shone, Anton and Parry, Bryn. (2013). "Successful Event Management:a practical handbook. 4th edition". Cengage Learning, Andover.

Slevin, Tom. (2010). Existence, Ethics and Death in Andrei Tarkovsky’s Cinema: the Cultural Philosophy of Solaris. Film International: Journal of World Cinema, June 2010, 8 (2), pp. 49-62

Slevin, Tom. (2018). Vision, revelation, violence: technology and expanded perception within photographic history. Philosophy of Photography, April 2018, 9 (1), pp. 53-70

Stanfield, Peter. (1999). Dixie cowboys: Hollywood and 1930s westerns. PhD thesis, Southampton Solent University [validated by Nottingham Trent University].

Steyger, Tony. Out come the freaks : the representation of disability on British television. In: PCA/ACA National Conference, April 2010, St. Louis, USA. (Unpublished)

Steyger, Tony and Hawley, Steve. (2015). Stranger than known: South home town. [Video]

Steyger, Tony and Lees, Craig. (2015). Silver Hayes at Glastonbury 2015. [Video]

Steyger, Tony and Reynolds, Alex. Rediscovering Video Nation. In: Mass Observation 40th Anniversary Conference, July 2018, University of Sussex. (Unpublished)

Stone, Sabrina. (2010). X-Box at the box office: video game adaptation on the big screen. [Final Year Project]

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Taylor, Andy and Shead, Toby and Windmill, Chloe and Cullan-Mellor, Joe. (2014). Fighting flames. [Video] (Submitted)

Tod, Emma. (2010). Encounter. [Video]

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Wood, Jordan. (2009). Hey Negrita's Fishin'. [Video]

Wood, Jordan. (2006). How to animate. [Video]