Items where Subject is "Cultural Studies"

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Agatonovic, Dejan. Agatonovic, D. (2015) ‘Fashion individualism within clubbing culture’, international conference Fashion Tales 2015, Universita’ Cattolica del Sacro Cuore, Milan, Italy. In: Fashion Tales 2015, June 2015, Universita’ Cattolica del Sacro Cuore, Milan, Italy. (Unpublished)

Al-Khalidi, Alia. (2000). Menstruation in material and promotional culture: the commodification and mediation of female sanitary products in Britain 1880-1914. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Albiez, Sean. (2004). The Day the Music Died Laughing: Madonna & Country. In: Madonna's Drowned Worlds: New Approaches to Her Cultural Transformations. (1982-2002). Abingdon: Ashgate Publishing.

Albiez, Sean. (2013). 'Electronica', 'Electronic Body Music (EBM)', 'Electronic Dance Music (EDM)', 'Dubstep', 'Hi-NRG', 'Techno' and 'Chillout' encyclopedia entries. In: The Continuum Encyclopedia of Popular Music of the World: International Music Genres Volume. London/New York: Continuum International Publishing. (In Press)

Albiez, Sean. (2011). Europe Non-Stop: West Germany, Britain and the Rise of Synthpop 1975-1981. In: Kraftwerk - Music Non-Stop. London/New York: Continuum International Publishing.

Albiez, Sean. (2003). Know History! John Lydon, cultural capital and the prog/punk dialectic. Popular Music, November 2003, 22 (3),

Albiez, Sean. (2005). Post Soul Futurama: African American cultural politics and early Detroit Techno. European Journal of American Culture, 2005, 24 (2),

Albiez, Sean. (2011). Post Soul Futurama: African American cultural politics and early Detroit Techno. In: Electronica, Dance and Club Music [The Library of Essays on Popular Music]. Abingdon: Ashgate Publishing.

Albiez, Sean. (2005). Print the Truth, Not the Legend: Sex Pistols, Lesser Free Trade Hall, Manchester, 4 June 1976. In: Performance and Popular Music: History, Place and Time. Abingdon: Ashgate Publishing.

Albiez, Sean. (2011). Punk after 'Punk' in the UK: 1978-1984. Scribd, 30 April 2011,

Albiez, Sean. (2003). Sounds of Future Past: from Neu! to Numan. Phleps, T and von Appen, R (eds.) POP SOUNDS: Klangtexturen in der Pop- und Rockmusik, 2003,

Albiez, Sean. (2004). Strands of the Future: France and the birth of electronica. Volume!, 2004, 2004-1,

Albiez, Sean and Lindvig, Kyrre Tromm. (2011). Autobahn and Heimatklänge: soundtracking the FRG. In: Kraftwerk - Music Non-Stop. London/ New York: Continuum International Publishing.

Anderton, Chris. (2015). Branding and sponsorship at music festivals. In: Festival Cultures: Media, Music, Place, 22 May 2015, University of East Anglia. (Unpublished)

Anderton, Chris. (2015). Branding, sponsorship and the music festival. In: The Pop Festival: History, Music, Media, Culture. Bloomsbury, New York and London. ISBN 978-1-62356-959-4

Anderton, Chris. (2015). Curating, collecting and archiving: Fan labour and the conflicts of copyright. In: Popular Music Fandom Conference, 10 April 2015, University of Chester. (Unpublished)

Anderton, Chris. (2016). Fire in harmony: the 1980s UK British progressive rock revival. In: Prog Rock in Europe. Overview of a Persistent Musical Style. Editions Universitaires de Dijon, Dijon, pp. 151-164. ISBN 9782364411753

Anderton, Chris. (2014). Fire in harmony: the rise and fall of the 1980s UK progressive revival. In: First International Conference of the ACADPROG Network, 10-12 December 2014, Université de Bourgogne, Dijon. (Unpublished)

Anderton, Chris. (2017). Music festivals in the UK. Ashgate Popular and Folk Music Series . Ashgate (now part of Taylor & Francis/Routledge), UK. (Submitted)

Anderton, Chris. (2016). Musikfestivals als »zyklische Orte«: Fairport’s Cropredy Convention. In: Draußen: Zum neuen Naturbezug in der Popkultur der Gegenwart. Transcript, Germany, pp. 119-138. ISBN 978-3-8376-1639-2

Anderton, Chris. (2016). Progressive rock fandom: Creating, curating and archiving through blogs and bootlegs. In: Second International Conference of The Progect Network for the Study of Progressive Rock, 25-27 May 2016, University of Edinburgh. (Unpublished)

Anderton, Chris. (2016). Sonic artefacts: ‘record collecting’ in the digital age. IASPM@Journal, 2016, 6 (1), pp. 85-113

Anderton, Chris. (2015). The branded landscapes of music festivals in the UK: Sponsorship, ideology and the rural. In: RGS-IBG Annual International Conference , 1-4 September 2015, University of Exeter. (Unpublished)

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Baker, Clive and Parry, Bryn. (2011). “Communicating Multiple Narratives in Leisure Attractions - mobile media means the future is `cloudy’”. In: "Leisure in Transition: people, policy and places conference" - Leisure Studies Association conference 2011, 5th-7th July 2011, Southampton Solent University, Southampton.

Baker, Clive and Parry, Bryn. (2016). Commemorating and communicating contested narratives in a digital era - lessons from Dark Tourism. In: Business and Society Research & Innovation Hub workshop, Southampton Solent University.

Baker, Clive and Parry, Bryn. (2015). Lettow-Vorbeck: German campaigns in Africa - WWI. In: Lettow-Vorbeck: German Campaigns in Africa - WWI , Winchester & District Militaria Society.

Bek, Lynda. (2010). Cultural constructions of the Isle of Wight: perception, creation and consumption: Identifying factors which specifically contributed towards cultural constructions of the Isle of Wight with specific reference to the period 1750-1900. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Bennett, T. Towards “embedded non-creative work”? Administration, digitisation and the recorded music industry. International Journal of Cultural Policy, (In Press)

Bennett, Toby. (2017). Book review: The production and consumption of music in the digital age. Popular Music and Society, 19 January 2017,

Bennett, Toby. (2019). ‘Essential – Passion for music’: Affirming, critiquing and practicing passionate work in creative industries. In: Palgrave Handbook of Creativity at Work. Palgrave Macmillan, London. (In Press)

Bennett, Toby. (2018). “The whole feminist-taking-your-clothes-off thing”: Critique and negotiation of gender inequality in UK music industries. IASPM@Journal, 2018, (In Press)

Bradley, P. (2007). Monstrous makeovers: transforming ‘monsters’ into beauty queens. In: Monsters & the Monstrous: Myths and Metaphors of Enduring Evil, 18 September - 21 September, Mansfield College, Oxford.

Bradley, P. (2007). Transformation and truth: the body as signifier of fidelity in Morgan Spurlock’s Super Size Me (2004). In: 2006 Film and History League Conference 'The Documentary Tradition' Dallas, Texas.

Bradley, Peri. (2010). The good, the bad and the healthy: the transforming body and narratives of health and beauty in reality tv. Hummingbird: Faculty of law, arts and social sciences doctoral research journal, April 2010, 1,

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Chaney, E. (2006). Inigo Jones’s ‘Roman sketchbook’. Roxburghe Club, London. ISBN 0 901953 12 1

Chaney, E. (2003). The evolution of English collecting: receptions of Italian art in the Tudor and Stuart periods. Yale University Press, New Haven and London. ISBN 0 300 10224 0

Chaney, E and Clearkin, Christine. (2003). Richard Eurich (1903-1992): visionary artist. Paul Holberton, London. ISBN 1 903470 11 0

Chaney, E and Corrado, Adriana and Ascari, Maurizio. (2006). Egypt in England and America: the cultural memorials of religion, royalty and revolution. In: Sites of Exchange: European Crossroads and Faultlines. Rodopi, Amsterdam and New York, pp. 39-75. ISBN 90 420 2015 6

Chaney, Edward. (2009). Titanic error threatens to sink city art gallery. Friends of Southampton's Museums, Archives and Galleries Newsletter, 2009 (65), pp. 5-8

Chaney, Edward. (2009). A grand tour and its cultural memorials. In: The grand tour. Artsway, Sway, pp. 1-3.

Coulter-Smith, G. (2007). Deconstructing installation art: fine art and media art 1986–2006. CASIAD Publishing.

Coulter-Smith, G. (2002). The postmodern art of Imants Tillers: appropriation en abyme, 1971–2001. Paul Holberton London and University of Washington Press. ISBN 1 874011 49 4

Coulter-Smith, G and Coulter-Smith, Elizabeth. (2006). Art games: interactivity and the embodied gaze. Technoetic Arts, 1 September 2006, 4 (3), pp. 169-182

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FATHALLAH, JUDITH. (2019). The genre fandom shaped: new media, emo and gender. Other. Iowa University Press. (Unpublished)

Fathallah, Judith. Changing relations between fan cultures and industry: The legitimation paradox. In: International Conference on Cross-culture Approach in Humanities, Management and Social Sciences, May 18-19 2019, London, United Kingdom . (Submitted)

Fathallah, Judith. (2018). Digital fanfic in negotiation: LiveJournal, Archive of Our Own, and the affordances of read–write platforms. Convergence: The International Journal of Research into New Media Technologies, 2018,

Fathallah, Judith. (2016). ‘Except that Joss Whedon is God’: fannish attitudes to statements of author/ity. International Journal of Cultural Studies, 2016, 19 (4), pp. 459-76

Fathallah, Judith. (2017). Fanfiction and the author: How fanfic changes popular cultural texts. Amsterdam University Press. ISBN 9789089649959

Fathallah, Judith. Invisible girls: emo, gender, and the problem of femininity. In: Under my Thumb: The Songs that Hate Women and the Women that Love them. Repeater Books.

Fathallah, Judith. (2016). Masculinities constructed and deconstructed: Game of Thrones. In: London Film and Media 2014.

Fathallah, Judith. (2015). Moriarty’s ghost: Or the queer disruption of the BBC’s Sherlock. Television & New Media, 2015, 16 (5), pp. 490-500

Fathallah, Judith. Polyphony on Tumblr: Reading the hateblog as pastiche. Transformative Works and Cultures, 27,

Fathallah, Judith. (2018). Reading RPF as digital fiction: An argument for new perspectives. Convergence: The International Journal of Research into New Media Technologies, 2018, 24 (6), pp. 568-586

Fathallah, Judith. (2016). Statements and silence: fanfic paratexts for ASOIAF/Game of Thrones. Continuum: Journal of Media & Cultural Studies, 2016, 30 (1), pp. 75-88

Fathallah, Judith. (2016). Transparency and reciprocity: Respecting fannish spaces in scholarly research. Journal of Fandom Studies, 2016, 4 (3), pp. 251-54

Fathallah, Judith. (2015). Won't somebody please think of the children? Or, South Park fanfic and the political realm. Journal of Youth Studies, 2015, 18 (10), pp. 1309-1325

Franklin, Sebastian. Ontology, obfuscation, clouds. In: Thinking network Politics Conference, March 2010, Anglia Ruskin University. (Submitted)

Franklin, Sebastian. The executable image: connect, continue, create. In: 3rd International Deleuze Studies Conference, July 2010, University of Amsterdam. (Submitted)

Franklin, Sebastian. The major and the minor: on political art in the age of ubiquitous computing. In: Conference at Southampton Solent University (title unknown), May 2010, Southampton Solent University. (Unpublished)

Furby, Jacqueline and Hines, Claire. (2009). ‘All the Better to Eat You With’: Feminist Fairytales and Misogynist Myths in Mitchell Lichtenstein’s Teeth (2007)’. In: The Fairy Tale After Angela Carter, April 2009, UEA. (Unpublished)

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Harris, Kevin and Adams , Andy. Power and discourse in the politics of evidence in sport for development. Sport Management Review, 19, pp. 97-106

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Jandrell, Mandy. Urban Encounters: Photography, Ethnography & the City, 2008. In: Urban Encounters: Photography, Ethnography & the City, 2008, 16-17 May 2008, Goldsmiths College, London. (Unpublished)

Jandrell, Mandy and Hug, Alfons and Junge, Peter and König, Viola. (2008). 'The Tropics. Views from the middle of the globe' at The South African National Gallery. [Show/Exhibition]

Jones, R. (2004). 'Furnished in English style': Anglicisation of local elite domestic interiors in Ceylon (Sri Lanka), c. 1850-1910. South Asia: Journal of South Asian Studies, 1 December 2004, 20, pp. 45-56

Jones, R. (2002). ’Furniture of plain but substantial kind’ at the British governors’ houses in Ceylon, c. 1830-60. Studies in the Decorative Arts, 1 October 2002, 10 (1), pp. 2-34

Jones, R. (2007). Interiors of empire: objects, space and identity within the Indian subcontinent, c. 1800-1947. Studies in Design and Material Culture . Manchester University Press, Manchester and New York. ISBN 978-0 7190-6942-0

Jones, R. (2001). The empire of things: furniture of nineteenth century Ceylon (Sri Lanka) and the production of British culture. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Jones, R and Jaffer, Amin. (2001). 'Ceylon (Sri Lanka)' and catalogue entries for Ceylonese furniture. In: Furniture from British India and Ceylon: a catalogue of the collections in the Victoria and Albert Museum and the Peabody Essex Museum. V & A Publications, London, pp. 362-383. ISBN 1 85 177 3185

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Kamau, Caroline. (2010). Can individualism enhance student task group performance? In: XXth Congress of the International Association for Cross-Cultural Psychology, 7-11 July 2010, Melbourne, Australia.

Kamau, Caroline. (2009). Severe initiation into a group and ingroup loyalty: Cognitive dissonance or culture? In: 4th Africa Region Conference of the International Association for Cross-Cultural Psychology (IACCP), 2nd to 6th August, Buea, Cameroon.

Kamau, Caroline. (2009). Strategising impression management in corporations: cultural knowledge as capital. In: Cultural implications of knowledge sharing, management and transfer: identifying competitive advantage. Information Science Reference . IGI Global, pp. 60-83. ISBN 1605667900, 9781605667904

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Lannin, S. (2006). Advertising campaign for The British Heart Foundation, Shops Division 2006. UNSPECIFIED.

Lannin, S and Caley, M. (2005). Pop fiction: the song in cinema. Intellect, Bristol, pp. 9-14. ISBN 1-84150-078-X

Loscialpo, Flavia. ‘Fashion and philosophical deconstruction: A fashion in-deconstruction’ in Fashion Forward, e-book, edited by A. de Witt-Paul and M.Crouch, Inter-Disciplinary Press, Oxford, ISBN: 978-1-84888-001, pp.13-29. In: Fashion Forward. Inter-Disciplinary Press, Oxford, pp. 13-29.

Loscialpo, Flavia. ‘Traces and constellations: the invisible genealogies of fashion’, in Endymatologika, 4, journal by The Hellenic Costume Society and Peloponnesian Folklore Foundation, pp.136-145. Endymatologika, pp. 136-145

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Macnamara, Sallie. MacNamara, S. (2015) ‘Conspicuous waste/conspicuous consumption? Tatler’s fashion imaginary’, international conference Fashion Tales 2015, Universita’ Cattolica del Sacro Cuore, Milan, Italy. In: Fashion Tales 2015, June 2015, Universita’ Cattolica del Sacro Cuore, Milan, Italy. (Unpublished)

Menary, Steve. (2011). In Search of the Argonauts. In: Paper, 10-11 September 2010, London.

Menary, Steve. (2012). Outcasts! The Lands That FIFA Forgot - 2nd edition. Pitch Publishing, Brighton. ISBN B00AIQUT3O

Menary, Steve. (2013). Facebook Fakers, LinkedIn Liars & Twaddle on Twitter: Football Scammers on Social Media. In: Play The Game 2013, 28-31 October 2013, Aarhus, Denmark.

Menary, Steve. (2016). Football’s New Cold War: Soft power in rogue Russian states. In: PSA 2016 presentation, May 4 2016, Bournemouth. (In Press)

Miller, S. (2001). Ana Maria Pacheco: the dark night of the soul. Lund Humphries, London, pp. 9-111. ISBN 0-85331-819-0

Miller, S. (2007). Fashion as art: is fashion art? Fashion Theory: The Journal of Dress, Body and Culture, 1 March 2007, 11 (1), pp. 25-40

Miller, S. (2002). From an aesthetic point of view. In: The Forms of Cubism. UNSPECIFIED. ISBN 84-8026-156-0

Miller, S. (2004). Reconfiguring Brancusi’s formative years: Hobitza, Craiova, Bucharest. In: Constantin Brancusi: The Essence of Things. Tate Modern, London. ISBN 1854375458

Moreton, Guy. (2012). From Elterwater to Eidsvatnet: All paths lead to water. In: Water: Image, 4th-6th July 2012, Plymouth University. (Unpublished)

Moreton, Guy. Guy Moreton – Unrecounted. [Show/Exhibition]

Moreton, Guy. Kome Til Deg i Tidende. [Artefact]

Moreton, Guy. (2014). Sustaining an out-of-placeness: some remarks on landscape, literature and photography. In: Of the Earth: Art, Photography, Writing and the Environment, 24-25th October 2014, Plymouth University. (Unpublished)

Moreton, Guy. (2014). Technology in ruins: Film, photography and the materiality of image. In: Expanded Photographies, 25–26th October 2012, Southampton Solent University. (Submitted)

Moreton, Guy. Wall to Wall. [Show/Exhibition]

Morrissey, T. (2005). EUROPart. [Show/Exhibition]

Morrissey, T. (2007). Front (part 1). [Show/Exhibition]

Morrissey, T. (2004). New works. [Show/Exhibition]

Morrissey, T. (2005). Seven years. [Show/Exhibition]

Moszkowicz, Julia. (2013). Time, Narrative and the Gutter: how philosophical thinking can make something out of nothing. In: Cultural Expression and Formal Expression in the Graphic Novel. Inter-Disciplinary Press, UK, pp. 197-205. ISBN 978-1-84888-199-0

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Parry, Bryn. (1999). “Clustering in Las Vegas”. In: 4th Annual International Yield and Revenue Management Conference, Colchester Institute, Clacton.

Parry, Bryn. (2012). Postcards From Forgotten Pioneers. Leisure Studies Association Newsletter - LSA 93, November 2012 (93), pp. 68-72

Parry, Bryn. (2011). “Towering Ambitions: (re)learning from the past – New Brighton Tower Football Club and the Watkin Tower / Wembley Park projects”. In: Leisure in Transition: people, policy and places conference, Leisure Studies Association, July 5-7, Southampton Solent University, Southampton, Hampshire.

Parry, Bryn. (2002). book review: Bray, R., & Raitz, V., 2000, “Flight to the Sun”, Continuum, in. Tourist Studies, 2002, Vol.2 (No.3), pp. 317-319

Parry, Bryn. (2007). book review: Corsane, G. (2005) “Heritage, Museums and Galleries: an introductory Reader”, London, Routledge, in. Journal of Heritage Tourism, 2007, Vol.2 (No.2), pp. 126-128

Parry, Bryn. (2007). book review: Highmore, B. (2005) “Cityscapes: cultural readings in the material and symbolic city”, Basingstoke, Palgrave Macmillan, in. Journal of Tourism and Cultural Change, 2007, Vol.5 (No.2), pp. 130-131

Parry, Bryn. (2013). book review: Simpson, B, & Simpson, C. (2011) “From Heritage to Terrorism: regulating tourism in an age of uncertainty”, Abingdon, Routledge, in. Journal of Heritage Tourism, 2013, [In Press], (In Press)

Parry, Bryn and Baker, Clive. (2010). “Navigating Old Worlds & New: using both the physical world and cyberspace to frame military museum experiences”. In: RGS-IBG 2010 conference [Royal Geographical Society / Institute of British Geographers] – Mediating the Tourist Experience stream, September, Royal Geographical Society, London.

Parry, Bryn and Baker, Clive and Hudson, Mary and Williams, Alison and Mckichan, Fiona. (2012). SSU Library Databases Videoclip. [Video]

Parry, Bryn. (2012). Contribution to the National Heritage List for England [regarding the Charles Melly Memorial Fountain, Southampton, and the `Melly drinking fountain', St Mary's Church, Walton village, Liverpool]. English Heritage.

Parry, Bryn. (2015). OED Appeals. Oxford English Dictionary, Oxford.

Parry, Bryn. (2014). OED Appeals (2014). Oxford English Dictionary, Oxford.

Parry, Bryn. (2016). OED Appeals (2016). Oxford English Dictionary, Oxford.

Parry, Bryn. (2017). OED Appeals (2017). Oxford English Dictionary, Oxford. (Submitted)

Parry, Bryn. (2014). Over The Fence: lessons from participating in the OED Appeals and WWI vocabulary initiatives. In: 2014 SSU Research and Enterprise Conference: Public Engagement, May 2014, Southampton Solent University.

Parry, Bryn. (2013). “Sector Analyses vs The Historical Record - the Solent Critical Thinking Method in action”. In: FBSE Research & Enterprise Conference, Southampton Solent University.

Parry, Bryn. (2017). Virtual & Augmented Reality: but not as you know it ? In: VentureFest South - Pecha Kucha, 9th March 2017, Winchester Guildhall.

Parry, Bryn and Baker, Clive. (2012). Databases. [Video] (Unpublished)

Parry, Bryn and Baker, Clive. (2012). Oxford Dictionary of National Biography videoclip. [Video]

Peberdy, Donna. (2011). "Billy Bob Thornton" and "James Earl Jones". In: The Encyclopedia of Southern Culture: Media. The University of North Carolina Press, Chapel Hill, NC, pp. 285-366. ISBN 978-0-8078-7143-0

Pereda, Javier. Mask Spinner. [Artefact]

Power, Lisa and Edwards, Christopher and Baker, Clive and Parry, Bryn. (2012). “Researching Museum Experiences … Experiences of Museum Research”. In: FBSE Research & Enterprise Conference, Southampton Solent University.

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Ragbourn, Brian Forbes. (2004). Divine sovereignty (2 volumes). PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Rayner, Nick. (2006). Community, identity and social group formations: a comparartive ethnograhic investigation and theoretical analysis of first generation migration into an English town. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Rodriguez-Falcon, Olga. (2009). The lumpen and the popular: Guillermo Cabrero Infante and Julio Garcia Espinosa. Bulletin of Latin American Research, October 2009, 28 (4), pp. 465-479

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Saker, Michael and Evans, Leighton. (2016). Everyday Life and Locative Play: An exploration of Foursquare and playful engagements with space and place. Media Culture & Society, 19 April 2016,

Saker, Michael and Evans, Leighton. (2016). Foursquare and identity: Checking-in and presenting the self through location. New Media & Society, 28 March 2016,

Saker, Michael and Evans, Leighton. (2016). Locative media and identity: Accumulative technologies of the self. Sage Open, 8 August 2016,

Saker, Michael and Evans, Leighton. (2016). Locative mobile media and time: Foursquare and technological memory. Locative mobile media and time: Foursquare and technological memory, 1 February 2016,

Shone, Anton and Parry, Bryn. (2013). Downloadable cases and online interactive material, supporting Shone, A. and Parry, B., (2013), “Successful Event Management: a practical handbook”, 4th Ed., Andover, Cengage Learning. Cengage Learning. (In Press)

Slevin, Tom. (2010). Existence, Ethics and Death in Andrei Tarkovsky’s Cinema: the Cultural Philosophy of Solaris. Film International: Journal of World Cinema, June 2010, 8 (2), pp. 49-62

Slevin, Tom. (2008). The Wound and the First World War: ‘Cartesian’ Surgeries to Embodied Being in Psychoanalysis, Electrification and Skin Grafting. Body and Society, June 2008, 14 (2), pp. 39-61

Slevin, Tom. (2011). ”The catastrophe of my existence”: Facing Death in Roger de la Fresnaye’s Self-Portraiture. Angelaki: Journal of Theoretical Humanities, May 2011, 16 (1), pp. 181-198

Slevin, Tom. (2018). Mind-Body-Technology: ‘Nosce te Ipsum’ and a theory of prosthetic ‘trialism’. In: Anthology - Anatomical Theatre. Utten Tittel, Oslo, pp. 26-41. ISBN ISBN 978-82-93502-20-3

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Taura, Nasiru. (2012). How do African Clusters Evolve? Review and Synthesis of the Evolution of African Industrial Cluster Studies. In: PhD workshop presentation, November 2012, Southampton Solent University. (Unpublished)

Taylor, B. (2005). Art today. Lawrence King, London. ISBN 1-85669-423-2

Taylor, B. (2004). Collage: the making of modern art. Thames and Hudson, London. ISBN 0-500-23816-2

Taylor, B. (2002). Foreigners and fascists: patterns of hostility to modern art in Britain before and after the First World War. In: The Geographies of Englishness: Landscape and the National Past 1880-1940. Studies in British Art, 14 . Yale University Press, pp. 169-198. ISBN 0-300-09488-4

Taylor, B. (2006). Revulsion/matter’s limits. In: Sculpture and Psychoanalysis. Ashgate Press and the Henry Moore Institute, Leeds, pp. 213-231. ISBN 0-7546-0984-7

Turner, Mark. (2012). Modern ‘live’ football: moving from the panoptican gaze to the performative, virtual and carnivalesque. Sport in Society, 1 June 2012, ifirst, pp. 1-9

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Wilks, Tim. (2009). 'Art, Architecture and Politics'. In: A Companion to Stuart Britain. Blackwell Companions to British History . Wiley-Blackwell, Chichester, pp. 187-213. ISBN 978-1-4051-8998-9

Wilks, Tim. (2001). “Forbear the heat and haste of building”: rivalries among the designers at Prince Henry's Court. The Court Historian, 1 April 2001, 6 (1), pp. 49-65

Wilks, Tim. (2010). 'Nicholas Lanier 1588-1666: A Portrait Revealed'. The Court Historian - The International Journal of Court Studies, December 2010, 15 (2), pp. 241-243

Wilks, Tim. (2005). “Paying attention to the adorning of a most beautiful gallery”: the Picture Gallery at St. James’s Palace, 1609 – 1649. The Court Historian, 1 December 2005, 10 (2), pp. 149-172

Wilks, Tim. (2007). 'The Peer, the Plantsman, and the Picture-Maker: the English Embassy to the Court of Christian IV of Denmark, 1603'. The Court Historian - The international Journal of Court Studies, December 2007, 12 (2), pp. 155-171

Wilks, Tim. (2007). ‘Prince Henry revived’: imagery and exemplarity in Early Modern England. Southampton Solent University with Paul Holberton. ISBN 9781903470572

Wilks, Tim. (2016). Archbishop Robinson's collection of gem impressions, Armagh Public Library. Condition report and cleaning trial. In: Research project with Armagh Public Library, 2015-2016, Armagh, Northern Ireland. (Unpublished)

Wilks, Tim. (2010). 'The Paintings Within'. In: Nicholas Lanier, 1588–1666. A Portrait Revealed. Mark Weiss, London, pp. 30-59.

Wilks, Tim. (2010). 'The Statuette'. In: Nicholas Lanier, 1588–1666. A Portrait Revealed. Mark Weiss, London, pp. 60-69.