Items where Creator is "Anderton, Chris"

Article

Anderton, Chris. (2016). Sonic artefacts: ‘record collecting’ in the digital age. IASPM@Journal, 2016, 6 (1), pp. 85-113

Anderton, Chris. (2011). 'Music Festival Sponsorship: Between Commerce and Carnival'. Arts Marketing: An International Journal, 2011, 1 (2), pp. 145-158

Anderton, Chris. (2010). A many-headed beast: progressive rock as European meta-genre. Popular Music, October 2010, 29 (3), pp. 417-435

Anderton, Chris. (2009). Commercializing the carnivalesque: the V Festival and image/risk management. Event Management, 2009, 12 (1), pp. 39-51

Book Section

Anderton, Chris. (2016). Fire in harmony: the 1980s UK British progressive rock revival. In: Prog Rock in Europe. Overview of a Persistent Musical Style. Editions Universitaires de Dijon, Dijon, pp. 151-164. ISBN 9782364411753

Anderton, Chris. (2016). Musikfestivals als »zyklische Orte«: Fairport’s Cropredy Convention. In: Draußen: Zum neuen Naturbezug in der Popkultur der Gegenwart. Transcript, Germany, pp. 119-138. ISBN 978-3-8376-1639-2

Anderton, Chris. (2015). Branding, sponsorship and the music festival. In: The Pop Festival: History, Music, Media, Culture. Bloomsbury, New York and London. ISBN 978-1-62356-959-4

Anderton, Chris. (2009). 'Full grown from the head of Jupiter'? : rethinking the history of progressive rock and its European contributions. In: De-canonizing music history. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 97-112. ISBN 9781443813914

Anderton, Chris. (2009). ‘Full-grown from the head of Jupiter’? Lay discourses and Italian progressive rock. In: De-Canonizing Music History. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 97-112. ISBN 978-1-4438-1391-4

Anderton, Chris. (2006). Beating the bootleggers: fan creativity, 'lossless' audio trading and commercial opportunities. In: Cybersounds: essays on virtual music culture. Peter Lang, New York, pp. 161-184. ISBN 9780820478616

Conference or Workshop Item

Anderton, Chris. (2016). Progressive rock fandom: Creating, curating and archiving through blogs and bootlegs. In: Second International Conference of The Progect Network for the Study of Progressive Rock, 25-27 May 2016, University of Edinburgh. (Unpublished)

Anderton, Chris. (2015). The branded landscapes of music festivals in the UK: Sponsorship, ideology and the rural. In: RGS-IBG Annual International Conference , 1-4 September 2015, University of Exeter. (Unpublished)

Anderton, Chris. (2015). Branding and sponsorship at music festivals. In: Festival Cultures: Media, Music, Place, 22 May 2015, University of East Anglia. (Unpublished)

Anderton, Chris. (2015). Curating, collecting and archiving: Fan labour and the conflicts of copyright. In: Popular Music Fandom Conference, 10 April 2015, University of Chester. (Unpublished)

Anderton, Chris and James, Martin. (2015). Seven years of SMILEfest: a case study in innovation, collaboration and enterprise. In: 4th Solent Learning and Teaching Community Conference, 31 March 2015, Southampton Solent University. (Unpublished)

Anderton, Chris. (2014). Fire in harmony: the rise and fall of the 1980s UK progressive revival. In: First International Conference of the ACADPROG Network, 10-12 December 2014, Université de Bourgogne, Dijon. (Unpublished)

Anderton, Chris. (2014). Pseudo- record Labels: Creative fandom and networks of distribution. In: One Century of Record Labels – mapping place, stories and communities of sound, 6-7 November 2014, Newcastle University. (Unpublished)

Anderton, Chris. (2011). Between Commerce and Carnival: Corporate Sponsorship and the Outdoor Music Festival Sector. In: The Business of Live Music, 31st March - 2nd April 2011, University of Edinburgh. (Unpublished)

Anderton, Chris. (2008). Out of place in the country? Music festivals, rurality, and the English country village: Fairport’s Cropredy Convention. In: Annual International Conference of the Royal Geographical Society with the Institute of British Geographers, September 2008, Royal Geographical Society, London. (Unpublished)

Anderton, Chris. Commercialising the Carnivalesque: the V Festival and Image/Risk Management. In: Exploring Festival Economies Conference, October 2007, City University, London. (Unpublished)

Anderton, Chris. Early European Contributions to the Progressive Rock Meta-Genre: Krautrock and Rock Progressivo Italiano. In: Annual International Conference of the Royal Geographical Society with the Institute of British Geographers, September 2010, Royal Geographical Society, London. (Unpublished)

Anderton, Chris. ‘Full grown from the head of Jupiter’? Rethinking the history of progressive rock and its European contributions. In: De-Canonizing Music Histories, November 2007, Sibelius Academy, Helsinki. (Unpublished)

Anderton, Chris. Reconsidering the ‘symphonic orthodoxy’: progressive rock’s formative years in Europe. In: Biennial conference of the International Association for the Study of Popular Music - UK & Ireland branch, September 2010, Cardiff University. (Unpublished)

Anderton, Chris. Rethinking ‘progression’: progressive rock since the late 1970s. In: 15th International Biennial conference of the International Society for the Study of Popular Music, July 2009, University of Liverpool. (Unpublished)

Anderton, Chris. A Weekend in the Country: Fairport’s Cropredy Convention, the Rural Idyll, and Englishness. In: Biennial conference of the International Association for the Study of Popular Music UK & Ireland Branch, September 2008, University of Glasgow. (Unpublished)

Book

Anderton, Chris. (2017). Music festivals in the UK. Ashgate Popular and Folk Music Series . Ashgate (now part of Taylor & Francis/Routledge), UK. (Submitted)

Anderton, Chris and James, Martin and Dubber, Andrew. (2013). Understanding the music industries. Sage, London, California, New Delhi, Singapore. ISBN 978-1-4462-0795-6