Items where Subject is "ARTS, MEDIA AND HUMANITIES > Music"

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Albiez, Sean. (2009). Broughton e​.​p. [Composition]

Albiez, Sean. (2011). Coma Zinema e​.​p. [Composition]

Albiez, Sean. (2011). Cryptolect. [Composition]

Albiez, Sean. (2004). The Day the Music Died Laughing: Madonna & Country. In: Madonna's Drowned Worlds: New Approaches to Her Cultural Transformations. (1982-2002). Abingdon: Ashgate Publishing.

Albiez, Sean. (2013). 'Electronica', 'Electronic Body Music (EBM)', 'Electronic Dance Music (EDM)', 'Dubstep', 'Hi-NRG', 'Techno' and 'Chillout' encyclopedia entries. In: The Continuum Encyclopedia of Popular Music of the World: International Music Genres Volume. London/New York: Continuum International Publishing. (In Press)

Albiez, Sean. (2011). Europe Non-Stop: West Germany, Britain and the Rise of Synthpop 1975-1981. In: Kraftwerk - Music Non-Stop. London/New York: Continuum International Publishing.

Albiez, Sean. (2009). Flitch. [Composition]

Albiez, Sean. (2012). I Saw No Shadow of Another Parting From Her e​.​p. [Composition]

Albiez, Sean. (2009). Im Gebirge e​.​p. [Composition]

Albiez, Sean. (2011). Industria e​.​p. [Composition]

Albiez, Sean. (2003). Know History! John Lydon, cultural capital and the prog/punk dialectic. Popular Music, November 2003, 22 (3),

Albiez, Sean. (2013). 'Kraftwerk', 'Television', 'The Police', and 'Jonathan Richman' encyclopedia entries. In: The Grove Dictionary of American Music (Second Edition). Oxford University Press. (In Press)

Albiez, Sean. (2011). Love's Uneasy Tears e​.​p. [Composition]

Albiez, Sean. (2012). A Man Cuts Down a Tree and it has Consequences [film soundtrack]. [Video]

Albiez, Sean. (2005). Post Soul Futurama: African American cultural politics and early Detroit Techno. European Journal of American Culture, 2005, 24 (2),

Albiez, Sean. (2011). Post Soul Futurama: African American cultural politics and early Detroit Techno. In: Electronica, Dance and Club Music [The Library of Essays on Popular Music]. Abingdon: Ashgate Publishing.

Albiez, Sean. (2005). Print the Truth, Not the Legend: Sex Pistols, Lesser Free Trade Hall, Manchester, 4 June 1976. In: Performance and Popular Music: History, Place and Time. Abingdon: Ashgate Publishing.

Albiez, Sean. (2011). Prozess​-​und Auflösung e​.​p. [Composition]

Albiez, Sean. (2011). Pr​:​Axis e​.​p. [Composition]

Albiez, Sean. (2012). Psychotopography. [Composition]

Albiez, Sean. (2011). Punk after 'Punk' in the UK: 1978-1984. Scribd, 30 April 2011,

Albiez, Sean. (2011). Remix - John Foxx and the Maths - Shatterproof. [Audio]

Albiez, Sean. (2009). The Sooner You Begin e​.​p. [Composition]

Albiez, Sean. (2003). Sounds of Future Past: from Neu! to Numan. Phleps, T and von Appen, R (eds.) POP SOUNDS: Klangtexturen in der Pop- und Rockmusik, 2003,

Albiez, Sean. (2004). Strands of the Future: France and the birth of electronica. Volume!, 2004, 2004-1,

Albiez, Sean. (2011). Sunblindfaith e​.​p. [Composition]

Albiez, Sean. (2011). Technot e​.​p. [Composition]

Albiez, Sean. (2012). obe:lus - Fenamoto [film soundtrack]. [Composition]

Albiez, Sean. (2011). obe:lus - Landslide [film soundtrack]. [Composition]

Albiez, Sean. (2012). obe:lus - Satellite OraMix. [Composition]

Albiez, Sean and Lindvig, Kyrre Tromm. (2011). Autobahn and Heimatklänge: soundtracking the FRG. In: Kraftwerk - Music Non-Stop. London/ New York: Continuum International Publishing.

Anderton, C B. (2007). (Re)Constructing Music Festival Places. PhD thesis, University of Wales, Swansea.

Anderton, Chris. (2006). Beating the bootleggers: fan creativity, 'lossless' audio trading and commercial opportunities. In: Cybersounds: essays on virtual music culture. Peter Lang, New York, pp. 161-184. ISBN 9780820478616

Anderton, Chris. (2011). Between Commerce and Carnival: Corporate Sponsorship and the Outdoor Music Festival Sector. In: The Business of Live Music, 31st March - 2nd April 2011, University of Edinburgh. (Unpublished)

Anderton, Chris. Commercialising the Carnivalesque: the V Festival and Image/Risk Management. In: Exploring Festival Economies Conference, October 2007, City University, London. (Unpublished)

Anderton, Chris. (2009). Commercializing the carnivalesque: the V Festival and image/risk management. Event Management, 2009, 12 (1), pp. 39-51

Anderton, Chris. Early European Contributions to the Progressive Rock Meta-Genre: Krautrock and Rock Progressivo Italiano. In: Annual International Conference of the Royal Geographical Society with the Institute of British Geographers, September 2010, Royal Geographical Society, London. (Unpublished)

Anderton, Chris. (2009). 'Full grown from the head of Jupiter'? : rethinking the history of progressive rock and its European contributions. In: De-canonizing music history. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 97-112. ISBN 9781443813914

Anderton, Chris. ‘Full grown from the head of Jupiter’? Rethinking the history of progressive rock and its European contributions. In: De-Canonizing Music Histories, November 2007, Sibelius Academy, Helsinki. (Unpublished)

Anderton, Chris. (2009). ‘Full-grown from the head of Jupiter’? Lay discourses and Italian progressive rock. In: De-Canonizing Music History. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 97-112. ISBN 978-1-4438-1391-4

Anderton, Chris. (2011). 'Music Festival Sponsorship: Between Commerce and Carnival'. Arts Marketing: An International Journal, 2011, 1 (2), pp. 145-158

Anderton, Chris. Music Festivals as ‘Cyclic Places’: Fairport’s Cropredy Convention. In: Zum neuen Naturbezug in der Popkultur der Gegenwart. Transcript. (Submitted)

Anderton, Chris. (2008). Out of place in the country? Music festivals, rurality, and the English country village: Fairport’s Cropredy Convention. In: Annual International Conference of the Royal Geographical Society with the Institute of British Geographers, September 2008, Royal Geographical Society, London. (Unpublished)

Anderton, Chris. Reconsidering the ‘symphonic orthodoxy’: progressive rock’s formative years in Europe. In: Biennial conference of the International Association for the Study of Popular Music - UK & Ireland branch, September 2010, Cardiff University. (Unpublished)

Anderton, Chris. Rethinking ‘progression’: progressive rock since the late 1970s. In: 15th International Biennial conference of the International Society for the Study of Popular Music, July 2009, University of Liverpool. (Unpublished)

Anderton, Chris. A Weekend in the Country: Fairport’s Cropredy Convention, the Rural Idyll, and Englishness. In: Biennial conference of the International Association for the Study of Popular Music UK & Ireland Branch, September 2008, University of Glasgow. (Unpublished)

Anderton, Chris. (2010). A many-headed beast: progressive rock as European meta-genre. Popular Music, October 2010, 29 (3), pp. 417-435

Anderton, Chris and James, Martin and Dubber, Andrew. Understanding the Music Industries. Sage. (In Press)

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Davie, Stuart. (2008). 'Independent record labels and their business decisions: the case of the Beggars group'. [Final Year Project]

Dockwray, Ruth and Moore, Allan, F.. (2010). 'Configuring the Sound-box 1965-72'. Popular Music, 2010, 29 (2), pp. 181-197

Dockwray, Ruth and Moore, Allan, F.. (2008). 'The establishment of the virtual performance space in rock'. twentieth-century music, 2008, 5 (12), pp. 219-241

Dockwray, Ruth and Moore, Allan, F. and Schmidt, Patricia. 'A Hermeneutics of Spatialisation for Recorded Song'. twentieth-century music, 6 (1), pp. 83-114

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Giordano, Aline. ‘Photo, music, text’. [Show/Exhibition]

Giordano, Aline. The alternative discourses of music fanzine photography. In: 2011 IASPM Benelux conference, 14-15 april 2011, Netherlands. (Submitted)

Godber, Marie. (2010). 'The Beat that Rocked the Mersey'- An investigation into the contributing factors that created the phenomenon that was the Merseybeat Sound. [Final Year Project]

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James, Martin. The (re)marketing of disability in pop: Ian Curtis and Joy Division. Popular Music, 28 (3), pp. 367-380

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King, Nicola. (2008). 'Is the indie gig venue a meaningful place?'. [Final Year Project]

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Lach, Nicholas. (2010). An investigation into the decline of British popular music in the North American market. [Final Year Project]

Living, Bernhard. (2010). Alien Artifacts. [Composition]

Living, Bernhard. (2011). Between One Thing and Another. [Composition]

Living, Bernhard. (2010). Corpus Animus. [Composition]

Living, Bernhard. (2010). Delayed Reaction. [Composition]

Living, Bernhard. (2010). Empty Rooms. [Composition]

Living, Bernhard. (2011). Everything Passes. [Composition]

Living, Bernhard. (2010). Expiry Date. [Composition]

Living, Bernhard. (2011). Genius Loci. [Composition]

Living, Bernhard. (2010). Half Empty - Half Full. [Composition]

Living, Bernhard. (2010). Ich Bin Eine Maschine. [Composition]

Living, Bernhard. (2011). Impossible Objects. [Composition]

Living, Bernhard. (2010). Kill Switch. [Composition]

Living, Bernhard. (2010). The Last Ten Minutes. [Composition]

Living, Bernhard. (2010). Leverkusen Memories. [Composition]

Living, Bernhard. (2010). Life Cycle. [Composition]

Living, Bernhard. (2011). Living in the Present Continuous. [Composition]

Living, Bernhard. (2010). Lost Embryo. [Composition]

Living, Bernhard. (2010). Metal Insects. [Composition]

Living, Bernhard. (2010). Muscle Memory. [Composition]

Living, Bernhard. (2010). Object World. [Composition]

Living, Bernhard. (2011). Phantom Limbs (Body Image). [Composition]

Living, Bernhard. (2010). Real Compared To What. [Composition]

Living, Bernhard. (2011). Realtime Life. [Composition]

Living, Bernhard. (2010). Terminal City. [Show/Exhibition]

Living, Bernhard. (2011). Things Come to Mind. [Composition]

Living, Bernhard. (2010). Thinking Backwards. [Composition]

Living, Bernhard. (2010). Tuesday Morning. [Composition]

Living, Bernhard. (2010). Unexplained Behavior. [Audio]

Living, Bernhard. (2011). Unexplained Behavior. [Composition]

Living, Bernhard. (2010). Waste Product. [Composition]

Living, Bernhard. (2011). What Now (Und Jetz)? [Composition]

Living, Bernhard. (2010). A Glass of Water. [Composition]

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Parry, Bryn. Editorial Board member. International Journal of Event Management Research e-journal. (Unpublished)

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Richards, Russell. (2012). Meshwork” music derived linear animation for Trampoline digital arts network: “Attention Structure - Public Screens - Norway - 2012. [Video]

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Shone, Anton and Parry, Bryn. (2013). Downloadable cases and online interactive material, supporting Shone, A. and Parry, B., (2013), “Successful Event Management: a practical handbook”, 4th Ed., Andover, Cengage Learning. Cengage Learning. (In Press)

Shone, Anton and Parry, Bryn. (2013). "Successful Event Management:a practical handbook. 4th edition". Cengage Learning, Andover.

Slevin, Tom. (2013). Sonia Delaunay’s Robe Simultanée: Modernity, Fashion and Transmediality. Fashion Theory: The Journal of Dress, Body, and Culture, March 2013, 17 (1), (In Press)

Stanfield, Peter. (1999). Dixie cowboys: Hollywood and 1930s westerns. PhD thesis, Southampton Solent University [validated by Nottingham Trent University].