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Anyan, J. (2004). Hats and gloves. [Show/Exhibition]
Anyan, J. (2007). North and south. [Show/Exhibition]
Anyan, Jennifer. (2009). Eroding the otherness. /seconds, March 2009 (10),
Anyan, Jennifer. (2012). Embodied Memories. [Show/Exhibition]
Bek, Lynda. (2010). Cultural constructions of the Isle of Wight: perception, creation and consumption: Identifying factors which specifically contributed towards cultural constructions of the Isle of Wight with specific reference to the period 1750-1900. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].
Bentkowska-Kafel, Anna. (1998). A computer-aided iconological analysis of anthropomorphic landscapes in western art 1560s-1660s. PhD thesis, Southampton Solent University [validated by Nottingham Trent University].
Bowers, Graham. (2007). Napoleonica. [Final Year Project]
Buck, J. (2005). Odd birds and other selves. [Show/Exhibition]
Buck, J. (2007). Ship to shore. [Artefact]
Buck, J. (2002). Sterling stuff. [Show/Exhibition]
Buck, J. (2002). Thinking big: concepts for twenty first century British sculpture. [Show/Exhibition]
Bull, Harry. (2007). Whitefriars, Geoffrey Baxter and Baxter's 1960s textured vases. (History, design, manufacture, popularity and market). [Final Year Project]
Caffrey, Paul. (1995). Irish portrait miniatures c. 1700-1830. PhD thesis, Southampton Solent University (validated by Nottingham Trent University).
Chaney, Edward. (2009). That sinking feeling. The Jackdaw, 2009, Summer,
Chaney, Edward. (2009). Titanic error threatens to sink city art gallery. Friends of Southampton's Museums, Archives and Galleries Newsletter, 2009 (65), pp. 5-8
Chaney, Edward. (2009). William Rose. The Jackdaw, September 2009,
Chaney, Edward. (2009). William Rose: tradition and an individual talent. Other. Gallery LeFort Fine Art, Bath.
Chaney, Edward. (2010). The collector Earl of Arundel and the Obelisk of Domitian. In: The collector Earl of Arundel and the Obelisk of Domitian, 10 Feb 2010, London.
Cooper, Orlanda. (2007). The marketing strategies of Joseph Johnstone Ltd; 1930-1960. [Final Year Project]
Coulter-Smith, Graham. (2009). Deconstructing installation art: deconstruyendo las instalaciones. Brumaria, Madrid, Spain. ISBN 978-8461293476
Coulter-Smith, Graham. Evolutionary aesthetics: rethinking the role of function in art and design. Technoetic arts: a journal of speculative research, 8 (1), pp. 85-91
Coulter-Smith, Graham. (2009). Imaging the unspeakable: reflections on art in the age of terrorism. In: Iconoclasm - Iconolatry. Brumaria Publications. ISBN 978846130423
Crichton, Shaun. (2007). The evolution of the auction house since 1970. [Final Year Project]
Foster, Timothy Charles. (1997). A study of the market valuation of antique Chinese ceramics. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].
Fysh, Hannah. (2007). How Finland used organic modernism to assert its national identity in the 20th Century. [Final Year Project]
Greenway, Peter Christian. (2007). Museums' acquisitions and disposals. [Final Year Project]
Greenwood, Sarah Jane. (2007). Contemporary photography: is it art or pornography? [Final Year Project]
Hand, Sarah and Owen, Maurice and Richards, Russell. (2010). 'The 11 Tapestry' An Installation and Performance by KikiT VisuoSonic in Gallery 94 of the Victoria & Albert Museum as part of the London Design Festival 2010. [Show/Exhibition]
Hannah, Jonny. (2009). Notes from McVouty. [Show/Exhibition]
Hannah, Jonny. (2010). A bed of sea & dead men's suits. [Show/Exhibition]
Hannah, Jonny. (2010). An illuminating exhibition of new work from the legendary Jonny Hannah. [Show/Exhibition]
Heightley, John. (2007). The books of Sir Winston Spencer Churchill. [Final Year Project]
Heriz-Smith, D. (2007). Cigarette cards of the Third Reich. [Final Year Project]
Hill, Robert William. (1999). Works of art as commodities. PhD thesis, Southampton Solent University [validated by Nottingham Trent University].
Isabella, Mendes. (2007). The market for Anglo-Indian furniture. [Final Year Project]
Jandrell, Mandy. Totale Erinnerung, 3rd Fotofestival Mannheim, Alter Messplatz, Mannheim, Germany. Curated by vvork.com. [Show/Exhibition]
Jandrell, Mandy and Hug, Alfons and Junge, Peter and König, Viola. (2008). 'The Tropics. Views from the middle of the globe' at The South African National Gallery. [Show/Exhibition]
Jones, R. (2001). The empire of things: furniture of nineteenth century Ceylon (Sri Lanka) and the production of British culture. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].
Jones, Robin. Continuity and creative adaptation in the decorative and fine arts of nineteenth century Ceylon. In: European Association of South Asian Archaeology and Art Conference, July 2010, University of Vienna, Austria.
Jones, Robin. Memory, modernity and tradition: the landscapes of Geoffrey Bawa in Sri Lanka, 1948-1998. In: British Association of South Asian Studies Conference, March 2010, University of Warwick.
Jones, Robin. Nineteenth century furniture from Ceylon: approaches to research and sources. In: Symposium of Recent Research into the Cultural History of Sri Lanka, Ancient Iran and India Trust, May 2010, Cambridge.
Konczak, Julian. 25 (Digital Landscapes). Hidrazone.
Konczak, Julian. The Interactive Forest. [Show/Exhibition]
Konczak, Julian and Coulter-Smith, Graham and Power, Lisa and Mair, Carolyn and Buckley, Martin. (2010). J9 Catalogue. Documentation. Hidrazone, Southampton.
Konczak, Julian and Parrika, Jussi and Menkman, Rosa and Coulter-Smith, Graham. (2011). Telenesia Catalogue. Documentation. Hidrazone, Southampton.
Lloyd, P. (2005). Contemporary British printmaking. [Show/Exhibition]
Lloyd, P. (2001). Heavyweights. [Show/Exhibition]
Lloyd, P. (2006). Hybridity, identity and the self. [Show/Exhibition]
Lloyd, P. (2002). Vernacular inscription. [Show/Exhibition]
M'Kenzie-Hall, James. (2011). Illustrated travel: steel engravings and their use in early 19th century topographical books, with special reference to Henry Fisher & Co.. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].
Mainwaring, Michelle. (2007). An investigation into collaboration between the British film industry, museum and heritage groups: presented as a case study of 'Pride and Prejudice'. [Final Year Project]
Malcolmson, David. (2007). The Scottishness of Scottish art up to the 19th century. [Final Year Project]
Mansfield, A. (2005). Andrew Mansfield: recent paintings. [Show/Exhibition]
Mansfield, A. (2005). Appearance. [Show/Exhibition]
Mansfield, A. (2006). Collectif Anglais ArtResearch. [Show/Exhibition]
Mansfield, A. (2006). Neue Bilder. [Show/Exhibition]
McCann, David. (2006). Sir John Rothstein and the advocacy of British art between the wars. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].
Moreton, G. (2005). There where you are not. [Show/Exhibition]
Moreton, G. (2007). Waterlog. [Show/Exhibition]
Moreton, G. (2006). A beautiful south. [Show/Exhibition]
Moreton, G and Finlay, Alec and Nedo, Michael. (2005). Ludwig Wittgenstein: there where you are not. Black Dog Publishing, London. ISBN 1-904772-16-1
Moreton, Guy. Photography and memory: the search for a place to think in the writing of Ludwig Wittgenstein and WG Sebald. In: Inside the Island Contemporary Art Exhibition and Symposium, 7-9 May 2010, Croatia.
Nimarkoh, Virginia and Jandrell, Mandy Lee and Gill, Simryn and Spero, David and Iles, Anthony and Soper, Kate and Wood, John. (2011). Edge of a Dream: Utopia, Landscape and Contemporary Photography. In: Edge of a Dream: Utopia, Landscape and Contemporary Photography. Affram Books, London. ISBN 9 780956 646005
Norris-Reeves, Suzie. (2012). Organza Dress (a work in progress). [Show/Exhibition]
Owen, Maurice. (2005). Art in the age of terrorism. Paul Holberton and Southampton Solent University (CREADM formally CASIAD), London. ISBN 1 903470 41 2
Owen, Maurice. (2010). The False-Door: dissolution and becoming in Roman wall-painting. UNSPECIFIED. CREADM (formally CASIAD) on-line publication.
Owen, Maurice. The affective enhancement of art and design museum artefacts using interactive digital animation. In: 3rd International Conference on the Inclusive Museum, 29 June - 2 July 2010, Yildiz University, Istanbul.
Owen, Maurice and Batter, Nicolas and Richards, Russell. (2007). KikiT VisuoSonics Performances. [Performance]
Owen, Maurice and Richards, Russell. (2011). “Meshwork” music derived linear animation for Trampoline digital arts network: “Attention Structure”. [Video]
Parker, Roland. (2007). Furniture restoration and its impact on price. [Final Year Project]
Parry, Bryn. (2012). Contribution to Historic Environment Record - regarding the Charles Melly Memorial Fountain. Southampton City Council, Southampton. (Unpublished)
Parry, Bryn. (2007). book review: Corsane, G. (2005) “Heritage, Museums and Galleries: an introductory Reader”, London, Routledge, in. Journal of Heritage Tourism, 2007, Vol.2 (No.2), pp. 126-128
Pereda, Javier. Mask Spinner. [Artefact]
Purcell, Stuart. (2007). The Irish art boom 1985 - 2005. [Final Year Project]
Richards, Russell. (2012). 'AI_AT', digital artwork for the 'Digital Design Challenge' as part of the London Design Festival 2012. [Show/Exhibition]
Richards, Russell. (2012). Meshwork” music derived linear animation for Trampoline digital arts network: “Attention Structure - Public Screens - Norway - 2012. [Video]
Richards, Russell. (2012). 'Nebula' - A Chapter for 'Engaging the Heavens: Inspiration of Astronomical Phenomena V' 2012. In: Engaging the Heavens: Inspiration of Astronomical Phenomena. Astronomical Society of the Pacific Conference Series, Chicago, Illinois, USA, pp. 43-48. ISBN 978-1-58381-818-3
Roberts, Toby. (2007). Silverware designed for children. [Final Year Project]
Schechner, Alan. Artistic responses to the Holocaust in contemporary society. In: Aesthetics, Art and Politics Conference, University of Helsinki, Finland.
Scott, CJG. (2005). The history and market of British military swords. [Final Year Project]
Shone, Anton and Parry, Bryn. (2013). "Successful Event Management:a practical handbook. 4th edition". Cengage Learning, Andover.
Slevin, Tom. (2013). Sonia Delaunay’s Robe Simultanée: Modernity, Fashion and Transmediality. Fashion Theory: The Journal of Dress, Body, and Culture, March 2013, 17 (1), (In Press)
Slevin, Tom. (2008). The Wound and the First World War: ‘Cartesian’ Surgeries to Embodied Being in Psychoanalysis, Electrification and Skin Grafting. Body and Society, June 2008, 14 (2), pp. 39-61
Slevin, Tom. (2011). ”The catastrophe of my existence”: Facing Death in Roger de la Fresnaye’s Self-Portraiture. Angelaki: Journal of Theoretical Humanities, May 2011, 16 (1), pp. 181-198
Stensel, James. (2007). Changes in contemporary art and the consumer culture. [Final Year Project]
Syed, A. (2006). Eating grass 16mm film (21min). [Show/Exhibition]
Syed, A. (2003). Films by Alia Syed. [Show/Exhibition]
Syed, A. (2002). Jigar. [Show/Exhibition]
Syed, A. (2006). A story told. [Show/Exhibition]
Taylor, Brandon. (2009). Aleksander Rodchenko's lines of force. Tate Papers, 2009, 12,
Taylor, Brandon. (2009). Lamm's way. In: Leonid Lamm: from utopia to virtuality. Palace Editions. ISBN 3940761354
Taylor, Brandon. New and Recent Publications by Brandon Taylor. Recent Publications, (Unpublished)
Thomas, Maxwell. (2007). John Bratby RA: study of his life and work. [Final Year Project]
Thomson, J. (2006). Disney Meets DNA, drawings, paintings and sculpture. [Show/Exhibition]
Thomson, J. (2003). Drawings, daydreams and designs. [Show/Exhibition]
Thomson, J. (2004). River circle. [Artefact]
Thomson, J. (2007). Say it with flowers. [Show/Exhibition]
Wardleworth, Dennis. (2002). Building the modern corporation: corporate art patronage in interwar Britain. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].
Wilks, Tim. (2010). The statuette. In: Nicholas Lanier, 1588-1666. A portrait revealed. Weiss, London, pp. 60-69.
Wilson, David. (2008). Furniture and furniture-making in Gloucestershire, 1600-1730: an analysis of a regional and vernacular tradition. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].
Wooldridge, Hayley. (2007). The influences on the architecture and interiors of Osborne House, Isle of Wight. [Final Year Project]
Zaveri, Rhythm. (2007). Indian erotica: the art, the devotion, the passion. [Final Year Project]