Items where Subject is "ARTS, MEDIA AND HUMANITIES > Film and Television"

A

Albiez, Sean. (2012). A Man Cuts Down a Tree and it has Consequences [film soundtrack]. [Video]

Albiez, Sean. (2012). obe:lus - Fenamoto [film soundtrack]. [Composition]

Albiez, Sean. (2011). obe:lus - Landslide [film soundtrack]. [Composition]

Atakav, Atil. (2009). The representation of women in Turkish cinema in the 1980s. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

B

Baker, Clive and Parry, Bryn. (2009). “Navigating Old & New Worlds: military museum experiences in both the physical world and cyberspace”. In: Tourist Experiences: meaning, motivations, behaviours conference, 1st-4th April 2009, University of Central Lancashire, Preston.

Birkenstein, Jeff and Froula, Anna and Randell, Karen. (2010). Re-framing 9/11: film, popular culture and "the war on terror". Continuum Press. ISBN 9781441119056

Boulton, Katie. (2010). Defining the contemporary costume drama. [Final Year Project]

Bradley, Peri. Hideous sexy: the eroticised body and deformity in 1970s British horror films. In: Don't look now: British cinema in the 1970s. Intellect.

Bradley, Peri. You are awful...but I like you! The politics of camp in 1970s television. In: British culture and society in the 1970s: the lost decade. Cambridge Scholars Publishing.

Bradley, Peri. (2010). The good, the bad and the healthy: the transforming body and narratives of health and beauty in reality tv. Hummingbird: Faculty of law, arts and social sciences doctoral research journal, April 2010, 1,

C

Cain, Sandra. (2009). It's as real as it gets: "they shoot movies don't they?...the Making of Mirage". Post Script - Essays in Film and the Humanities, 2009, 28 (6), pp. 9-13

Collyer, Paddy. (2003). An examination of the development of the British Board of Film Censors seen through the archives of three local authorities from 1912 until 1982 and of British Board of Film Classification with a particular focus on 'The last temptation of Christ';'Natural born killers'; and 'Crash'(2 volumes). PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Comiskey, Adam. (2010). Hey Negrita's Burn the whole place down. [Video]

Comiskey, Adam. (2009). Hey Negrita's Nine to five. [Video]

Comiskey, Adam. (2009). Hey Negrita's One Mississippi. [Video]

D

Domaratskaya, Elena. (2006). Moving image 'before' and 'after' cinema :1920s Parisian experimental films and video installations. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

de Valk, Mark. The cinema as scaffold: re-inscribing the tortured body. In: Acanca International Conference Cinema – Art, Technology, Communication, July 2010, Portugal.

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Ellesmore, Susan. (2002). Teacher representations in popular films: reception and relevance to professional development and change. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

F

Furby, Jacqueline. (2001). Control Dramas and Play Time: Time travel movies and the temporal fantasist. In: Glasgow Screen Conference, July 2001, Glasgow. (Unpublished)

Furby, Jacqueline. (2007). Interesting times: The Demands 24's Real-Time Format Makes on its Audience. In: Reading 24: TV Against the Clock. I.B Tauris, London, pp. 59-70. ISBN 978 1 84511 329 2

Furby, Jacqueline. (2005). Rhizomatic Time and Temporal Poetics in American Beauty. In: Screen Methods: Comparative Readings in Film Studies. Wallflower Press, London.

Furby, Jacqueline and Hines, Claire. (2009). ‘All the Better to Eat You With’: Feminist Fairytales and Misogynist Myths in Mitchell Lichtenstein’s Teeth (2007)’. In: The Fairy Tale After Angela Carter, April 2009, UEA. (Unpublished)

Furby, Jacqueline and Hines, Claire. (2011). Fantasy (Routledge Film Guidebook). Other. Routledge, London. (Submitted)

Furby, Jacqueline and Randell, Karen. (2005). Screen Methods: Comparative Readings in Film Studies. Wallflower Press, London. ISBN 978-1-904764-35-9

Furby, Jacqueline. (2006). Rhizomatic Time and Temporal Poetics in American Beauty. Film Studies, 2006, Winter (Issue ),

H

Hair, Carolyn Houston. (2003). The conversationalization of television talk in the mediated public sphere: an analysis of the British audience participation talk show and the docu-soap (2 vols). PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Hammond, Michael. (2001). The big show: cinema exhibition and reception in Britain in the Great War. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

K

Kamau, Caroline. On Erich Fromm: Why he left the Frankfurt School. In: The Frankfurt School Revisited: Essays on Culture, Media and Theory. Ashgate. (In Press)

Kerr, Darren. Truth, lies and videotape: tortured confessions of the body in Takashi Miike's imprint. In: Cine Excess IV Conference "Corporeal excess, cult bodies", 29 April - 1 May 2010, Covent Garden, London.

Konczak, Julian. The Interactive Forest. [Show/Exhibition]

Konczak, Julian and Coulter-Smith, Graham and Power, Lisa and Mair, Carolyn and Buckley, Martin. (2010). J9 Catalogue. Documentation. Hidrazone, Southampton.

Konczak, Julian and Parrika, Jussi and Menkman, Rosa and Coulter-Smith, Graham. (2011). Telenesia Catalogue. Documentation. Hidrazone, Southampton.

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Lilley, Michelle. (2009). Uncanny women in Jane Campion films. [Final Year Project]

M

Mackinnon, Lee. (2010). Unidentified. [Video]

Moon, Tony. (2009). I often dream of trains. [Video]

O

Owen, Maurice and Richards, Russell. (2011). “Meshwork” music derived linear animation for Trampoline digital arts network: “Attention Structure”. [Video]

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Parry, Bryn. (2007). “Mad as a Brush”, Oxford English Dictionary. Oxford University Press, Oxford.

Parry, Bryn. (2007). book review: Highmore, B. (2005) “Cityscapes: cultural readings in the material and symbolic city”, Basingstoke, Palgrave Macmillan, in. Journal of Tourism and Cultural Change, 2007, Vol.5 (No.2), pp. 130-131

Peberdy, Donna. (2012). "Acting and Performance in Film Noir". In: A Companion to Film Noir. Blackwell, Malden, MA. (In Press)

Peberdy, Donna. (2011). "Billy Bob Thornton" and "James Earl Jones". In: The Encyclopedia of Southern Culture: Media. The University of North Carolina Press, Chapel Hill, NC, pp. 285-366. ISBN 978-0-8078-7143-0

Peberdy, Donna. (2010). From Wimps to Wild Men: Bipolar Masculinity and the Paradoxical Performances of Tom Cruise. Men and Masculinities, December 2010, 13 (2), pp. 231-254

Peberdy, Donna. (2012). Male Sounds and Speech Affectations: Voicing Masculinity. In: Film Dialogue. Wallflower Press, London. (In Press)

Peberdy, Donna. (2011). Masculinity and Film Performance: Male Angst in Contemporary American Society. Palgrave Macmillan, Basingstoke. ISBN 9780230283787

Peberdy, Donna. (2012). "Politics is Theatre": Performance, Sexuality and Milk. In: Millennial Masculinity. Wayne State University Press, Detriot, MI. (In Press)

Peberdy, Donna. You commie, homo-loving sons of guns. In: Performance, Sexuality, Hollywood and Milk; SCMS, March 2010, Los Angeles.

Peberdy, Donna. (2012). "I'm just a character in your film" Acting and Performance from Autism to Zissou. The New Review of Film and Television Studies, March 2012, 10 (1), (In Press)

Pereda, Javier. Mask Spinner. [Artefact]

Pettigrew Collins, Serena. (2003). How Does Bollywood Cinema Compare to Hollywood Cinema, in terms of Content, Style and Industry? [Final Year Project]

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Randell, Karen. Masculinity and trauma in the Iraq war movie. In: SCMS Annual Conference, March 2010, Los Angeles.

Randell, Karen. Uncovering the truth: notions of the real in Brian de Palma's "Redacted". In: PCA/ACA National Conference, April 2010, St. Louis, USA.

Richards, Russell. (2012). Meshwork” music derived linear animation for Trampoline digital arts network: “Attention Structure - Public Screens - Norway - 2012. [Video]

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Schutte, Barend-Christiaan. (2005). Images of a new German identity: the portrayal of the unification process in documentary and feature films since 1990. PhD thesis, Southampton Solent University [Validated by Nottingham Trent University].

Shone, Anton and Parry, Bryn. (2013). Downloadable cases and online interactive material, supporting Shone, A. and Parry, B., (2013), “Successful Event Management: a practical handbook”, 4th Ed., Andover, Cengage Learning. Cengage Learning. (In Press)

Shone, Anton and Parry, Bryn. (2013). "Successful Event Management:a practical handbook. 4th edition". Cengage Learning, Andover.

Slevin, Tom. (2010). Existence, Ethics and Death in Andrei Tarkovsky’s Cinema: the Cultural Philosophy of Solaris. Film International: Journal of World Cinema, June 2010, 8 (2), pp. 49-62

Stanfield, Peter. (1999). Dixie cowboys: Hollywood and 1930s westerns. PhD thesis, Southampton Solent University [validated by Nottingham Trent University].

Steyger, Tony. Out come the freaks : the representation of disability on British television. In: PCA/ACA National Conference, April 2010, St. Louis, USA. (Unpublished)

Stone, Sabrina. (2010). X-Box at the box office: video game adaptation on the big screen. [Final Year Project]

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Tod, Emma. (2010). Encounter. [Video]

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Wood, Jordan. (2009). Hey Negrita's Fishin'. [Video]

Wood, Jordan. (2006). How to animate. [Video]