Items where Creator is "Anderton, Chris"

Article

Anderton, Chris. (2011). 'Music Festival Sponsorship: Between Commerce and Carnival'. Arts Marketing: An International Journal, 2011, 1 (2), pp. 145-158

Anderton, Chris. (2010). A many-headed beast: progressive rock as European meta-genre. Popular Music, October 2010, 29 (3), pp. 417-435

Anderton, Chris. (2009). Commercializing the carnivalesque: the V Festival and image/risk management. Event Management, 2009, 12 (1), pp. 39-51

Book Section

Anderton, Chris. (2009). 'Full grown from the head of Jupiter'? : rethinking the history of progressive rock and its European contributions. In: De-canonizing music history. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 97-112. ISBN 9781443813914

Anderton, Chris. (2009). ‘Full-grown from the head of Jupiter’? Lay discourses and Italian progressive rock. In: De-Canonizing Music History. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 97-112. ISBN 978-1-4438-1391-4

Anderton, Chris. (2006). Beating the bootleggers: fan creativity, 'lossless' audio trading and commercial opportunities. In: Cybersounds: essays on virtual music culture. Peter Lang, New York, pp. 161-184. ISBN 9780820478616

Anderton, Chris. Music Festivals as ‘Cyclic Places’: Fairport’s Cropredy Convention. In: Zum neuen Naturbezug in der Popkultur der Gegenwart. Transcript. (Submitted)

Conference or Workshop Item

Anderton, Chris. (2011). Between Commerce and Carnival: Corporate Sponsorship and the Outdoor Music Festival Sector. In: The Business of Live Music, 31st March - 2nd April 2011, University of Edinburgh. (Unpublished)

Anderton, Chris. (2008). Out of place in the country? Music festivals, rurality, and the English country village: Fairport’s Cropredy Convention. In: Annual International Conference of the Royal Geographical Society with the Institute of British Geographers, September 2008, Royal Geographical Society, London. (Unpublished)

Anderton, Chris. Commercialising the Carnivalesque: the V Festival and Image/Risk Management. In: Exploring Festival Economies Conference, October 2007, City University, London. (Unpublished)

Anderton, Chris. Early European Contributions to the Progressive Rock Meta-Genre: Krautrock and Rock Progressivo Italiano. In: Annual International Conference of the Royal Geographical Society with the Institute of British Geographers, September 2010, Royal Geographical Society, London. (Unpublished)

Anderton, Chris. ‘Full grown from the head of Jupiter’? Rethinking the history of progressive rock and its European contributions. In: De-Canonizing Music Histories, November 2007, Sibelius Academy, Helsinki. (Unpublished)

Anderton, Chris. Reconsidering the ‘symphonic orthodoxy’: progressive rock’s formative years in Europe. In: Biennial conference of the International Association for the Study of Popular Music - UK & Ireland branch, September 2010, Cardiff University. (Unpublished)

Anderton, Chris. Rethinking ‘progression’: progressive rock since the late 1970s. In: 15th International Biennial conference of the International Society for the Study of Popular Music, July 2009, University of Liverpool. (Unpublished)

Anderton, Chris. A Weekend in the Country: Fairport’s Cropredy Convention, the Rural Idyll, and Englishness. In: Biennial conference of the International Association for the Study of Popular Music UK & Ireland Branch, September 2008, University of Glasgow. (Unpublished)

Book

Anderton, Chris and James, Martin and Dubber, Andrew. Understanding the Music Industries. Sage. (In Press)